Rememorying Slavery: Intergenerational Memory and Trauma in Toni Morrison’s Beloved (1987) and Conceição Evaristo’s Ponciá Vicêncio (2003)

IF 0.2 3区 文学 N/A LITERATURE
Luana de Souza Sutter
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引用次数: 0

Abstract

This paper looks at parallels in the articulation of memory and trauma between Toni Morrison’s Beloved and the more recent publication Ponciá Vicêncio, written in 2003 by the Afro-Brazilian writer Conceição Evaristo. It examines the novels’ illustration of slavery trauma and the creative investment of descendants of slaves in re-presenting traumatic family history. With this concern, it proposes a comparative reading of Beloved and Ponciá Vicêncio, focusing, first, on their representations of the embodiment of trauma; second, on their respective concepts of rememory and memory-thoughts – or pensamentos-lembranças; and third, on the descendants’ engagement with the revision of narratives of family past, through the characters Denver and Ponciá.
缅怀奴隶制:托尼·莫里森的《宠儿》(1987)和康塞奥·埃瓦里斯托的《PonciáVicêncio》(2003)中的代际记忆和创伤
本文探讨了托尼·莫里森的《宠儿》与2003年由非裔巴西作家康塞奥·埃瓦里斯托撰写的最新出版物《PonciáVicêncio》在表达记忆和创伤方面的相似之处。它考察了小说对奴隶制创伤的阐释,以及奴隶后代在重新呈现创伤家族历史方面的创造性投资。考虑到这一点,它建议对Beloved和PonciáVicêncio进行比较解读,首先关注他们对创伤化身的表现;第二,关于他们各自的记忆和记忆思想的概念&或pensamentos lembranças;第三,关于后代通过角色Denver和Ponciá参与对家族历史叙事的修正。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
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