The Language of Ecopoetry and the Transfer of Meaning

IF 0.1 Q4 ENVIRONMENTAL STUDIES
Cassandra O'Loughlin
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引用次数: 0

Abstract

This article explores the properties of ecopoetry that have to do with the realisation that we are not merely external observers but active and intrinsic participants within the biosphere. The type of ecopoetics I am advocating takes a subjective stance to experience: it begins from within individual consciousness and is rooted in sensory perception. Reference to the world through this type of ecopoetry evokes a tone or mood, or “atmosphere” between environmental attributes and human experience that can solicit an emotional response. Ecopoetry can deliver meaning on a level beyond the direct connotations of the signs and symbols on the page. This has to do with “presence” as a phenomenological approach to the aesthetics of nature. Employing these concepts has the potential to bridge the gap between nature and politics, and influence attitudes towards living sustainably with the earth.
生态诗的语言与意义的传递
这篇文章探讨了生态诗歌的特性,它与我们不仅仅是外部观察者,而是生物圈内积极和内在的参与者的认识有关。我所提倡的生态诗学类型对体验采取主观立场:它从个人意识内部开始,植根于感官知觉。通过这种类型的生态诗来引用世界,唤起环境属性和人类经验之间的基调或情绪,或“氛围”,可以引起情感反应。生态诗歌可以在页面上的符号和符号的直接内涵之外传达意义。这与“在场”作为自然美学的现象学方法有关。采用这些概念有可能弥合自然与政治之间的差距,并影响人们对可持续地与地球一起生活的态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Trumpeter-Journal of Ecosophy
Trumpeter-Journal of Ecosophy ENVIRONMENTAL STUDIES-
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