Virus chic: Facemasks and their usage

IF 0.1 Q1 Arts and Humanities
R. Brett
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引用次数: 0

Abstract

This article was written in response to the global COVID-19 pandemic during its early stages of summer 2020. During this time the facemask became a controversial object of debate, but also an ideological apparatus and a performative sign. Indeed, the facemask was one of the last restrictions to remain in place after many others were lifted. This phenomenon prompted the following reflection upon the cultural history of the facemask and its place within fashion paradigms. In consideration of diseases throughout history, it is possible to meditate on the categorization of how health has acted upon the body, which in turn is housed in fashion. Starting with the various plagues throughout history and the functionality of the facemask, we can start to interrogate just what a mask is in practical and conceptual terms. Is it a theatrical prop, fashion accessory, a conduit of magic or PPE? All such ideas can be viewed through theories of power. What this article attempts at highlighting is how this power is used to moralize and chastise the working classes.
病毒别致:口罩及其用法
这篇文章是为了应对2020年夏季早期的全球新冠肺炎大流行而写的。在这段时间里,口罩成为了一个有争议的辩论对象,但也是一种意识形态工具和一种表演标志。事实上,口罩是在许多其他限制措施被取消后仍然存在的最后限制措施之一。这一现象促使人们对口罩的文化历史及其在时尚范式中的地位进行了以下反思。考虑到整个历史上的疾病,可以思考健康对身体的影响的分类,而身体又是时尚的。从历史上的各种瘟疫和口罩的功能开始,我们可以开始从实践和概念上质疑口罩是什么。它是戏剧道具、时尚配饰、魔术管道还是个人防护装备?所有这些思想都可以通过权力理论来看待。这篇文章试图强调的是,这种权力是如何被用来道德化和惩罚工人阶级的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Clothing Cultures
Clothing Cultures HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
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