‘We lie best when we lie to ourselves’: Stephen King’s It and the horrors of nostalgia

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Kristen Miller Hill
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引用次数: 0

Abstract

Stephen King’s 1986 novel It follows a traditional horror story arc of restoration of order through defeat of a monster, but the interlude sections of the novel complicate this narrative structure with an alternate story arc in which the people of Derry are also a source of horror within the novel, who enable the monster with their desire to sanitize the past of the town. This arc, in which the townspeople are perpetrators and enablers of horrors, reflects a cultural tendency towards nostalgic views of the past that would have been noticeable in political and cultural movements of the 1980s. As nostalgic currents have returned to prominence in political movements surrounding the election of Donald Trump and other populist movements, re-examining the interlude sections of It reveals commentary about the horrors of nostalgia that, like the cyclical reawakening of the novel’s monster, are relevant once again.
“当我们对自己撒谎时,我们撒谎得最好”:斯蒂芬·金的《It》和怀旧的恐怖
斯蒂芬·金1986年的小说遵循了一个传统的恐怖故事,通过打败一个怪物来恢复秩序,但是小说的插曲部分用另一个故事弧线使这个叙事结构复杂化,在这个故事弧线中,德里的人们也是小说中恐怖的来源,他们让怪物有了净化小镇过去的欲望。在这条弧线中,城镇居民是恐怖事件的肇事者和推动者,反映了一种对过去怀旧观点的文化倾向,这种倾向在20世纪80年代的政治和文化运动中会很明显。随着怀旧思潮在围绕唐纳德·特朗普(Donald Trump)当选和其他民粹主义运动的政治运动中重新抬头,重新审视《它》的插曲部分,可以发现对怀旧恐怖的评论,就像小说中怪物的周期性复活一样,再次与现实相关。
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来源期刊
Horror Studies
Horror Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.50
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9
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