“Becoming-Animal”: Cosplay as Sorcery through Deleuze and Guattari’s Tenth Plateau

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
P. Mountfort
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引用次数: 0

Abstract

ABSTRACT:Cosplay is commonly understood to involve cosplayers donning the accoutrements of popular media entities in a complexly mediated type of “performance.” This article asks to what extent Gilles Deleuze and Félix Guattari’s “becoming-animal” from the tenth plateau of A Thousand Plateaus: Capitalism and Schizophrenia (1980) can mobilize other understandings of these moments—in particular, their becoming that transcends mimesis, resemblance, or representation. Such “sorcery” is a “molecular” becoming based on alliance with a “demonic” character, one’s passing “by contagion” into becoming with an animal pack, a second alliance with a new human group, effecting a further and dynamic contagion of the human and animal. Maintaining such becoming requires a micropolitical struggle that differs from the identarian one in its capacity for offering schizoanalytic realizations of desire. Does, or can, cosplay effectuate such becoming, in which the human becomes “animal” and the animal becomes human, producing irreducible dynamisms, lines of flight?
《成为动物》:通过德勒兹和瓜塔里的《第十高原》扮演魔法
摘要:角色扮演通常被理解为角色扮演者穿着流行媒体实体的服装,进行复杂的“表演”。“这篇文章问,吉勒·德勒兹和费利克斯·瓜塔里从《一千个高原:资本主义和精神分裂症》(1980)的第十个高原“成为动物”在多大程度上可以调动对这些时刻的其他理解——特别是超越模仿、相似或再现的它们的成为。这种“魔法”是一种基于与“恶魔”角色结盟的“分子”,一个人通过“传染”与动物群体结盟,与新的人类群体结盟,实现人类和动物的进一步动态传染。保持这种成为需要一场微观政治斗争,这场斗争与同一主义斗争的不同之处在于,它能够提供对欲望的精神分裂分析实现。角色扮演是否或可以实现这样的转变,即人变成“动物”,动物变成人,产生不可简化的动力和飞行线?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Asia-Pacific Pop Culture
Journal of Asia-Pacific Pop Culture HUMANITIES, MULTIDISCIPLINARY-
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