Latina/x Abortion Narratives in Popular Culture

IF 0.5 3区 社会学 Q3 WOMENS STUDIES
Melissa Huerta
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引用次数: 0

Abstract

Television plays an instrumental role in people’s lives. Of the many experiences I shared with my family growing up were evenings in front of the TV, watching telenovelas, sitcoms, or movies. On the one hand, telenovelas hyperbolized what it meant to be Latin American — in my case, Mexican — and on the other hand, popular American sitcoms in the 1980s and 1990s did not reflect families like mine — predominantly Spanish-speaking and immigrant.30 During my formative years, nuanced representations of Latinas/xs were few and far between.31 I remember watching Dirty Dancing (1987) with my mom as a teenager and asking her what happened to Penny. My mom could not find the words to explain an abortion, let alone an illegal one that led to Penny’s injuries. While Penny is not a Latina/x character, it was revealing to see that abortion was depicted in such a negative light, and it was telling that my mom would not tell me what happened to Penny. My interest in knowing more about the representation of abortion on screen nonetheless led to uncomfortable conversations with my mother, a Mexican immigrant with a Catholic upbringing. Ultimately, those conversations influenced me to ask more questions about abortion representations on the small screen: Where are the Latina/x stories about abortion (care) or reproductive decisions beyond pregnancy and motherhood? How do these representations challenge traditional and stigmatized representations, pointing to more inclusive experiences? What do representations (or the lack thereof ) on the small screen mean for Latina/x popular culture and stories? Now that we are in the post-Roe moment following the SCOTUS decision on Dobbs, we need abortion-positive representations across all aspects of life more than ever, especially for people of color and marginalized communities.
流行文化中的拉丁/x堕胎叙事
电视在人们的生活中起着重要作用。我和家人在成长过程中分享的许多经历包括晚上看电视、看电视连续剧、情景喜剧或电影。一方面,电视小说夸大了拉丁美洲的含义——在我看来是墨西哥的——另一方面,20世纪80年代和90年代流行的美国情景喜剧并没有反映出像我这样的家庭——主要是说西班牙语和移民,拉丁裔/xs的细微差别很少。31我记得十几岁时和妈妈一起看了《肮脏的舞蹈》(1987),问她佩妮怎么了。我妈妈找不到语言来解释堕胎,更不用说导致佩妮受伤的非法堕胎了。虽然佩妮不是一个拉丁裔角色,但看到堕胎被如此负面地描述,这很有启发性,也说明我妈妈不会告诉我佩妮发生了什么。尽管如此,我对更多地了解堕胎在屏幕上的表现感兴趣,这导致了我与母亲的不愉快对话,母亲是一名受过天主教教育的墨西哥移民。最终,这些对话影响了我在小屏幕上提出更多关于堕胎的问题:关于堕胎(护理)或怀孕和做母亲之外的生育决定的拉丁裔故事在哪里?这些表征如何挑战传统和污名化的表征,指向更具包容性的体验?小屏幕上的表现(或缺乏表现)对拉丁裔流行文化和故事意味着什么?现在,在SCOTUS对多布斯做出决定后,我们正处于后罗伊时代,我们比以往任何时候都更需要在生活的各个方面,特别是有色人种和边缘化社区,积极代表堕胎。
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来源期刊
Feminist Studies
Feminist Studies Social Sciences-Gender Studies
CiteScore
1.60
自引率
0.00%
发文量
29
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