{"title":"Research into practice in the affective information comic","authors":"P. Long","doi":"10.1080/17521483.2022.2150137","DOIUrl":null,"url":null,"abstract":"ABSTRACT The ‘archival turn’ describes the way in which political, memorial, legal, and social issues have been explored by archive professionals and amateurs, as well as theorists across the humanities, including legal scholars and indeed, creative artists. Together, their work has sought to explore the archive reflexively, attending to the interests that come to bear upon its formation and role determining what counts as knowledge and how that plays a part in managing our access to the past. This article discusses Golnar Nabizadeh and Catriona Laird’s Archives as Memory as an ‘information comic’, exploring how this short work can be understood in terms of its particular contribution to this ‘turn’, in which the archive and its function has come into focus. It unpacks the rather banal and didactic connotations of the term ‘information comic’ in favour of an understanding of Archives as Memory as a form of research-led creative practice detailed in its singular approach.","PeriodicalId":42313,"journal":{"name":"Law and Humanities","volume":"17 1","pages":"50 - 59"},"PeriodicalIF":0.3000,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Law and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17521483.2022.2150137","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"LAW","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT The ‘archival turn’ describes the way in which political, memorial, legal, and social issues have been explored by archive professionals and amateurs, as well as theorists across the humanities, including legal scholars and indeed, creative artists. Together, their work has sought to explore the archive reflexively, attending to the interests that come to bear upon its formation and role determining what counts as knowledge and how that plays a part in managing our access to the past. This article discusses Golnar Nabizadeh and Catriona Laird’s Archives as Memory as an ‘information comic’, exploring how this short work can be understood in terms of its particular contribution to this ‘turn’, in which the archive and its function has come into focus. It unpacks the rather banal and didactic connotations of the term ‘information comic’ in favour of an understanding of Archives as Memory as a form of research-led creative practice detailed in its singular approach.
期刊介绍:
Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.