The Crown Letter roundtable discussion

Susan Barnet, Anne Brunswic, Michelle Deignan, L. Dimbleby, Ruth Maclennan, Ana Cristina Mendes, Manuela Morgaine, Natacha Nisic, Esther Shalev-Gerz
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引用次数: 0

Abstract

Natacha Nisic recognized that the conditions of confinement created by the COVID pandemic and lockdown posed a threat to the visibility, exchange and experience of contemporary art, particularly of the work of women artists. Nisic invited women in her global network to contribute to the project and over time the network has expanded. Over 50 artists have now contributed to the publications and they maintain the online project collectively. As well as weekly publications, since the beginning The Crown Letter has hosted a weekly Salon for its contributors, where the artists exchange experiences, ideas and stories. In these times of confinement, where the effects of systemic inequality are felt across the globe, The Crown Letter harnesses the power of artistic exchange, collective energy, support and dialogue. As it approaches its first anniversary, some of the artists gathered at a salon to reflect on what The Crown Letter means to them.
皇冠信函圆桌讨论
Natacha Nisic认识到,新冠肺炎疫情和封锁造成的禁闭条件对当代艺术,特别是女艺术家作品的知名度、交流和体验构成了威胁。尼西奇邀请她的全球网络中的女性为该项目做出贡献,随着时间的推移,该网络已经扩大。现在有50多位艺术家为这些出版物做出了贡献,他们共同维护着这个在线项目。除了每周出版的出版物,从一开始,the Crown Letter就为其撰稿人举办了每周沙龙,艺术家们在那里交流经验、想法和故事。在这个世界各地都能感受到系统性不平等影响的禁闭时代,《王冠之信》利用了艺术交流、集体能量、支持和对话的力量。在它即将迎来一周年之际,一些艺术家聚集在一家沙龙,反思《王冠之信》对他们意味着什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Moving Image Review and Art Journal
Moving Image Review and Art Journal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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