{"title":"The Functions of Continuous Processes in Contemporary Electronic Dance Music","authors":"Jeremy W. Smith","doi":"10.30535/mto.27.2.7","DOIUrl":null,"url":null,"abstract":"This article discusses the functions of continuous processes in contemporary electronic dance music (EDM), providing an analytical framework for discussing their structural and aesthetic roles in this repertoire. Continuous processes are musical gestures with continuous changes to musical parameters, rather than discrete, “step-by-step” ones. Examples include pitch slides (glissandos), crescendos, fade ins, accelerandos, and filter sweeps.\nContinuous processes in this repertoire are created with “continuous controllers” such as sliders and knobs, or are programmed into tracks with “automation curves.” Functionally, continuous processes often provide sonic instructions for dancers. They can be used by creators at strategic times to provide ornamentation, orientation (often accompanied by intensification or de-intensification), or disorientation (usually in breakdown sections). This article adds to existing analytical scholarship by drawing attention to the many roles of continuous processes in EDM, and showing how they contribute to the emotional waves experienced when listening to this music.","PeriodicalId":44918,"journal":{"name":"Music Theory Online","volume":" ","pages":""},"PeriodicalIF":0.8000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Theory Online","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30535/mto.27.2.7","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 1
Abstract
This article discusses the functions of continuous processes in contemporary electronic dance music (EDM), providing an analytical framework for discussing their structural and aesthetic roles in this repertoire. Continuous processes are musical gestures with continuous changes to musical parameters, rather than discrete, “step-by-step” ones. Examples include pitch slides (glissandos), crescendos, fade ins, accelerandos, and filter sweeps.
Continuous processes in this repertoire are created with “continuous controllers” such as sliders and knobs, or are programmed into tracks with “automation curves.” Functionally, continuous processes often provide sonic instructions for dancers. They can be used by creators at strategic times to provide ornamentation, orientation (often accompanied by intensification or de-intensification), or disorientation (usually in breakdown sections). This article adds to existing analytical scholarship by drawing attention to the many roles of continuous processes in EDM, and showing how they contribute to the emotional waves experienced when listening to this music.
期刊介绍:
Music Theory Online is a journal of criticism, commentary, research and scholarship in music theory, music analysis, and related disciplines. The refereed open-access electronic journal of the Society for Music Theory, MTO has been in continuous publication since 1993. New issues are published four times per year and include articles, reviews, commentaries, and analytical essays. In addition, MTO publishes a list of job opportunities and abstracts of recently completed dissertations.