‘It takes a long time to become young’: A critical feminist intersectional study of Vogue’s Non-Issue

IF 1.7 2区 社会学 Q1 CULTURAL STUDIES
Lame M. Kenalemang-Palm
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引用次数: 0

Abstract

Older female celebrities are increasingly visible in popular media culture, but what kinds of representations are being offered? By deploying a feminist intersectional perspective and adopting Multimodal Critical Discourse Analysis (MCDA), this article interrogates how British Vogue’s Non-Issue communicates ideas and values about ageing and how the magazine constructs discourses through which women’s ageing is understood. The analysis shows that the Non-Issue represents older women as radical and empowered subjects. The rhetoric of freedom and choice, central to postfeminism, is prominent in the magazine and aligns with neoliberal discourses of successful ageing. Such discourses encourage women to confine themselves to never-ending, rigid forms of self-surveillance, self-monitoring and self-disciplining that ultimately subject the older female body to a ‘new’ set of bodily inscriptions and prescriptions that reinforce patriarchal standards of beauty. These standards of beauty are, however, challenged in the magazine through a recuperated do-it-yourself discourse of punk spirit rebellion that works to commodify women’s empowerment, yet still reduces women to how they look.
“变年轻需要很长时间”:对《Vogue》非议题的批判性女权主义交叉研究
年纪较大的女明星在大众媒体文化中越来越多地出现,但他们提供了什么样的表现形式呢?本文运用女权主义交叉视角,采用多模态批评话语分析(MCDA),探讨英国版《Vogue》的《非议题》如何传达有关老龄化的思想和价值观,以及该杂志如何构建理解女性老龄化的话语。分析表明,“非议题”代表了老年妇女作为激进和赋权的主体。自由和选择的修辞是后女权主义的核心,在杂志中很突出,与成功老龄化的新自由主义话语一致。这样的话语鼓励女性将自己限制在永无止境的、严格的自我监督、自我监控和自我约束的形式中,最终使老年女性的身体受制于一套“新的”身体铭文和处方,这些铭文和处方强化了父权的审美标准。然而,这些美的标准在这本杂志上受到了挑战,通过一种恢复了的朋克精神反叛的自己动手的话语,这种话语致力于将女性的权力商品化,但仍然将女性贬低为她们的外表。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
5.50
自引率
4.20%
发文量
69
期刊介绍: European Journal of Cultural Studies is a major international, peer-reviewed journal founded in Europe and edited from Finland, the Netherlands, the UK, the United States and New Zealand. The journal promotes a conception of cultural studies rooted in lived experience. It adopts a broad-ranging view of cultural studies, charting new questions and new research, and mapping the transformation of cultural studies in the years to come. The journal publishes well theorized empirically grounded work from a variety of locations and disciplinary backgrounds. It engages in critical discussions on power relations concerning gender, class, sexual preference, ethnicity and other macro or micro sites of political struggle.
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