The Paradoxes of Modern Culture (Interaction Dynamics of Collective-Individual and Individual-Collective One)

Sofiia Hrytsa
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Abstract

Purpose of the research. The article highlights the relationship between collective-individual creativity, which is a catalyst for long-standing traditions of human memory, and individual-collective, aimed at extensive innovation – the first inversion with a tendency to establish “accentuated” self, to innovation with positive and negative consequences. The research methodology is based on art studies, sociological research of modern scientists and sociological expedition data of the author of the article. The scientific novelty of the research is that was destined to give impetus to passive matter and to influence the fate of the world more and more actively. In search of counteracting the standard of today's urbanization, it is not accidental to actively turn to the folklore of the peoples of the world, to the poetic, musical richness of rites and customs. In the collective-individual creativity there are contradictions from the moment of its involvement in secondary forms of representation. Conclusions. The mechanisms of fixation applied to folk art violate its genetic authenticity. Where spontaneous forms of folklore are completely supplanted by fixed ones, it essentially ceases to exist as authentic with its inherent structural nuances of genetic reproduction, which affect primarily its variable-modal nature. The process of reducing these nuances is accelerated if it is overused in the media system – on radio, television, and at gala concerts. Optimistic “voting” will result in irreparable losses – trampling and destruction of “folklore humus”, mixing local features of the folklore of the peoples of the world, systematically involved in “gala-cheerfulness”, and “doping” of its development, similar to littering the earth with “fertilizers” irreversible loss of the original genetic properties of folklore, all that is the most valuable achievement of national traditions. The situation is reflected in modern reality, environmental problems and cultural paradoxes, the idea of preserving everything achieved over the centuries, reviewing the extreme challenges that must be faced by rational ideas and action against irrational perversions leading to the loss of basic laws of ethics, morality, interfaith and international wars to complete chaos in life and culture.
现代文化的悖论(集体-个人与个人-集体的互动动力)
研究目的:这篇文章强调了集体-个人创造力之间的关系,集体-个人创造力是人类记忆的长期传统的催化剂,而个人-集体创造力则旨在广泛的创新——第一种倾向于建立“强化”自我的反转,以及具有积极和消极后果的创新。研究方法以艺术研究、现代科学家的社会学研究和本文作者的社会学考察资料为基础。这项研究的科学新颖性在于它注定要推动被动物质的发展,越来越积极地影响世界的命运。在寻求对抗当今城市化标准的过程中,积极转向世界各国人民的民间传说,转向仪式和习俗中丰富的诗意和音乐,这并非偶然。在集体-个人的创造力中,从它参与次要表现形式的那一刻起,就存在着矛盾。结论。民间艺术的固定机制违背了它的遗传真实性。当民间传说的自发形式完全被固定形式所取代时,它本质上就不再是真实存在的,其遗传繁殖的内在结构细微差别主要影响其可变模态的性质。如果在媒体系统中——在广播、电视和盛大的音乐会中——过度使用,减少这些细微差别的过程就会加速。乐观的“投票”会造成不可弥补的损失——对“民俗腐殖质”的践踏和破坏,混合世界各国人民民俗的地方特色,系统地参与“狂欢”,并“兴奋剂”其发展,类似于向地球乱扔“肥料”,使民俗原有的遗传特性不可逆转地丧失,这一切都是民族传统最宝贵的成果。这种情况反映在现代现实,环境问题和文化悖论,保护几个世纪以来取得的一切的想法,回顾理性思想和行动必须面对的极端挑战,反对非理性的歪曲,导致失去基本的伦理,道德,宗教间和国际战争,使生活和文化完全混乱。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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