Relocating to Depict: Managing the Interactional Agenda at Opera Rehearsals

IF 3 1区 文学 Q1 COMMUNICATION
Agnes Löfgren
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引用次数: 0

Abstract

ABSTRACT A performer in an opera has to portray the character they are playing not only through the music but also in their visuospatial behaviors on stage. This article is about how performers and directors negotiate such portrayals through depictions that make proposed actions available for the other participants. The focus is on how depictions are initiated, through relocations in space, and how these initiations are responded to. We see how performer and director collaboratively manage the complex visuospatial requirements of a successful rehearsal. Data are in Swedish and English.
重新定位描绘:在歌剧排练中管理互动议程
摘要歌剧演员不仅要通过音乐,还要通过舞台上的视觉空间行为来刻画他们所扮演的角色。这篇文章是关于表演者和导演如何通过描绘来协商这些描绘,从而使其他参与者可以使用拟议的动作。重点是如何通过在空间中的重新定位来启动描绘,以及如何应对这些启动。我们看到表演者和导演如何合作管理成功排练的复杂视觉空间要求。数据为瑞典语和英语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
7.30
自引率
7.40%
发文量
20
期刊介绍: The journal publishes the highest quality empirical and theoretical research bearing on language as it is used in interaction. Researchers in communication, discourse analysis, conversation analysis, linguistic anthropology and ethnography are likely to be the most active contributors, but we welcome submission of articles from the broad range of interaction researchers. Published papers will normally involve the close analysis of naturally-occurring interaction. The journal is also open to theoretical essays, and to quantitative studies where these are tied closely to the results of naturalistic observation.
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