"At Least I Have the Flowers of Myself": Revisionist Myth-Making in H.D.'s "Eurydice"

Q2 Arts and Humanities
Cristina Salcedo González
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引用次数: 2

Abstract

Taking its cue from the rediscovery of H.D.’s works initiated in the 1980s, this article aims to advance the efforts destined to recover the modernist poet’s revisionist legacy and, in particular, her revisionary myth-making. To this end, adopting a myth-criticism interpretative approach, I will analyse one of the most relevant examples of H.D.’s work in this respect: her lyric poem “Eurydice” (1925). In particular, I will examine H.D.’s ‘tactics of revisionary mythopoesis’, that is, narrative strategies which distance her poem from the dominant account of the myth and that enable the poet to contest the established classical tradition. The examination will ultimately bring to the surface H.D.’s invaluable contribution to the re-shaping and re-writing of myth from a female perspective and the way in which she created a different, subverted, version of the classical account.
“至少我有我自己的花朵”:修正主义的神话制造的“欧律狄刻”
以20世纪80年代开始的对h.d.作品的重新发现为线索,本文旨在推进旨在恢复现代主义诗人的修正主义遗产,特别是她的修正神话创造的努力。为此,采用神话批评的解释方法,我将分析h.d.在这方面最相关的作品之一:她的抒情诗《欧律狄刻》(1925)。特别是,我将研究h.d.的“修正神话的策略”,也就是说,她的诗歌与神话的主要叙述保持距离的叙事策略,使诗人能够挑战既定的古典传统。这次考察最终将把h.d.从女性视角重新塑造和重写神话的宝贵贡献展现出来,以及她如何创造了一个不同的、颠覆性的经典版本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Miscelanea
Miscelanea Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
12
审稿时长
32 weeks
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