The Theme of Female Loneliness in the Writings of Lyudmila Petrushevskaya and Can Xue

Tian Fang, A. Zhuchkova
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Abstract

The issue of female loneliness is observed in many works by Russian and Chinese women writers of the XX-XXI centuries. Attention to this problem reflects the deep concern of women authors for the fate of women. Lyudmila Petrushevskaya and Can Xue are representatives of Russian and Chinese women’s literature of the late 20th and early 21st centuries. Despite the fact that the writings of Petrushevskaya and Can Xue belong to different cultural traditions and were created within the different artistic and aesthetic frameworks, attention to the fate of women, the dark sides of life and an attempt to rethink modern life values bring them together. This paper compares and contrasts the writings of Petrushevskaya and Can Xue on the subject of loneliness. The essence and causes of loneliness are revealed. Based on a thorough analysis of their works, it is concluded that each of them approaches this issue from different seemingly opposing perspectives. Petrushevskaya pays attention to the daily life, in her works she depicts the individual loneliness of women through the image of a terrible but entirely real life. While Can Xue is interested in existential being of all mankind, she reveals the inner emptiness of human existence through various metaphors and illusions.
论柳德米拉·佩特鲁舍夫斯卡娅与残雪作品中的女性孤独主题
XX-XXI世纪俄罗斯和中国女作家的许多作品中都提到了女性孤独的问题。对这一问题的关注反映了女作家对妇女命运的深切关注。柳德米拉·佩特鲁舍夫斯卡娅和残雪是20世纪末21世纪初俄中女性文学的代表人物。尽管佩特鲁舍夫斯卡娅和残雪的作品属于不同的文化传统,是在不同的艺术和美学框架下创作的,但对女性命运的关注、生活的黑暗面以及重新思考现代生活价值观的尝试将它们结合在一起。本文对佩特鲁舍夫斯卡娅和残雪关于孤独主题的著作进行了比较。揭示了孤独的本质和原因。在对他们的作品进行深入分析的基础上,可以得出结论,他们每个人都从不同的看似对立的角度来处理这个问题。佩特鲁舍夫斯卡娅关注日常生活,在她的作品中,她通过一个可怕但完全真实的生活形象来描绘女性个体的孤独。残雪在关注全人类生存存在的同时,也通过各种隐喻和幻想揭示了人类生存的内在空虚。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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