J.G. Ballard and American Science Fiction

IF 0.2 4区 文学 0 LITERATURE
C. Mcguirk
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引用次数: 0

Abstract

ABSTRACT:Offering something of a group portrait, this study focuses on Ballard's first decade as a published writer (1956-1966), seen in the context of US science fiction—its stories, writers, communal obsessions (including NASA's Mercury Program), and above all its shared writing practices. During the early Cold War years, science fiction regularly recast the genre's own earlier moments, a practice that tied even the pointed social critique of noir sf in the early 1950s—stories that first drew Ballard to the genre—to earlier pulp science fiction, including the space adventures of the 1930s and 1940s. An especially striking quality of this postwar generation is what seems an unusual degree of prescience; for Ballard's early sf—like that of the US writers who inspired him (sometimes to emulate, sometimes to critique)—regularly offer uncanny intimations of our own contentious historical moment today.
巴拉德与美国科幻小说
摘要:本研究以巴拉德作为出版作家的头十年(1956-1966)为研究对象,将其放在美国科幻小说的背景下——故事、作家、共同的痴迷(包括美国宇航局的水星计划),尤其是共同的写作实践。在冷战初期,科幻小说经常重塑这一类型的早期时刻,这种做法甚至将20世纪50年代早期对黑色科幻小说的尖锐社会批判——这些故事最初吸引了巴拉德进入这一类型——与早期的低俗科幻小说联系在一起,包括20世纪30年代和40年代的太空冒险。战后这一代人的一个特别显著的特点是,他们似乎有着不同寻常的先见之明;因为巴拉德早期的科幻小说——就像那些启发他的美国作家一样(有时是为了模仿,有时是为了批评)——经常提供我们今天有争议的历史时刻的神秘暗示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
75
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