‘The Creature We All Are’: Deleuze and Guattari's Geophilosophy in Mark Z. Danielewski's House of Leaves

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Connor Gould
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引用次数: 0

Abstract

Mark Z. Danielewski's 2000 debut novel House of Leaves has rapidly become a gothic cult classic, detested by some and acclaimed by others with identical passion. This article explores the new approaches that contemporary ecocriticism appears to be taking, embracing the geophilosophical theories of Gilles Deleuze and Félix Guattari to uncover the presence of the ‘monstrous vegetal’ throughout the novel. It argues that the vegetal images of the rhizome and the tree, illustrated within Deleuze and Guattari's A Thousand Plateaus reveal the way in which the titular house becomes horrifying through its similarities to a growing, organic creature. Indeed, it is its horrifying sense of uncontrollable and incomprehensible growth that overwhelms the characters’ bodies and minds before eventually infringing upon the reading experience as we are forced to acknowledge the house's, and by extension the vegetal's, complete alterity to human existence.
“我们都是生物”:马克·Z·达涅夫斯基的《树叶屋》中的德勒兹和瓜塔里的地球哲学
马克·Z·达涅夫斯基2000年的处女作《树叶屋》迅速成为哥特式的经典之作,受到一些人的厌恶,也受到另一些人同样热情的赞扬。本文探讨了当代生态批评似乎正在采取的新方法,包括Gilles Deleuze和Félix Guattari的地球哲学理论,以揭示小说中“可怕的植物”的存在。它认为,德勒兹和瓜塔里的《一千高原》中描绘的根茎和树木的植物图像揭示了这座有名无实的房子因其与生长中的有机生物的相似性而变得可怕的方式。事实上,正是它令人恐惧的无法控制和无法理解的生长感淹没了角色的身心,最终侵犯了阅读体验,因为我们被迫承认房子,进而承认植物与人类存在的完全交替。
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来源期刊
Gothic Studies
Gothic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.
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