{"title":"The Intimate Book: World Literature, Poetic Rejuvenation, and the Art of Arrangement in Hugo von Hofmannsthal’s Divan Essay and Buch der Freunde","authors":"A. Guillemin","doi":"10.1080/09593683.2020.1829208","DOIUrl":null,"url":null,"abstract":"ABSTRACT When Hugo von Hofmannsthal published his aphoristic collection, Buch der Freunde (1922), he borrowed the title from Goethe’s West-östlicher Divan. A mix of original maxims and excerpted quotations, it departs from his famous poems, plays and essays. Reading it alongside Hofmannsthal’s Divan essay, I analyse it as a response to a creative crisis that re-enacts world literature in the spirit of the Divan poet. The lesser-known book intimately unveils Hofmannsthal’s process of regenerative compilation. Yet in paying tribute to late Goethean poetics, Buch der Freunde paradoxically retreats into the modernist private collection and the world-literary past.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"89 1","pages":"190 - 205"},"PeriodicalIF":0.1000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09593683.2020.1829208","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Publications of the English Goethe Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09593683.2020.1829208","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT When Hugo von Hofmannsthal published his aphoristic collection, Buch der Freunde (1922), he borrowed the title from Goethe’s West-östlicher Divan. A mix of original maxims and excerpted quotations, it departs from his famous poems, plays and essays. Reading it alongside Hofmannsthal’s Divan essay, I analyse it as a response to a creative crisis that re-enacts world literature in the spirit of the Divan poet. The lesser-known book intimately unveils Hofmannsthal’s process of regenerative compilation. Yet in paying tribute to late Goethean poetics, Buch der Freunde paradoxically retreats into the modernist private collection and the world-literary past.