Time as the Rhythm of Theoretical Practices

IF 0.1 0 LITERATURE
István Berszán
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引用次数: 0

Abstract

Many scholars would agree today that no theory is timeless. But they would probably mean the historicity of theoretical thinking, including the concepts and preconceptions of time propagated by theoretical literary studies. In this paper, I will investigate a usually ignored but unavoidable problem: the rhythmic dimension of theorising. How do those practices, to which different theoretical attempts are linked, influence their orientation in time(s)? Gathering positive data of the past in positivism, revealing the work of formal devices of poetic language in formalism, following a rhetorical change in postmodernism or reducing every kind of change to historical construction are not only ideological patterns but practical rhythms considered as paradigmatic for other – and sometimes for all – happenings. Based on practice-oriented physics, I propose research of time projections by which literary reading and writing are transposed to the kinetic spaces of certain theoretical practices.
时间是理论实践的节奏
今天许多学者都同意没有理论是永恒的。但它们可能意味着理论思维的历史性,包括理论文学研究传播的时间概念和先入为主的观念。在本文中,我将研究一个通常被忽视但又不可避免的问题:理论化的节奏维度。这些与不同理论尝试相联系的实践如何影响它们的时间取向?在实证主义中收集过去的积极数据,在形式主义中揭示诗歌语言的形式手段的工作,在后现代主义中跟随修辞变化,或将每一种变化归结为历史建构,不仅是意识形态模式,而且是实践节奏,被认为是其他-有时是所有-事件的范例。基于实践导向的物理学,我提出了时间投射的研究,将文学阅读和写作转移到某些理论实践的动态空间。
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来源期刊
Metacritic Journal for Comparative Studies and Theory
Metacritic Journal for Comparative Studies and Theory Arts and Humanities-Arts and Humanities (all)
CiteScore
0.90
自引率
0.00%
发文量
15
审稿时长
7 weeks
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