Undocumented Immigrant Status: Implications for Music Education

C. Gerrard
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引用次数: 1

Abstract

Although issues concerning immigration have been debated for decades, the results of the 2016 U.S. presidential election ignited additional politicization, particularly regarding undocumented immigration. Dominant narratives of undocumented persons continue to be framed in damaging and deficit perspectives that position individuals as unhuman (“alien”) and criminal (“illegal”). Considering the ongoing anti-immigrant climate, it is imperative to learn from undocumented student experiences and how citizenship status might impact access to and participation in music classes. Importantly, learning from undocumented students’ experiences could help educators and administrators better support a significant population in school communities. In this review of literature, I explore research relevant to undocumented immigrant students in the United States and offer implications for working with undocumented students and families.
无证移民身份:对音乐教育的影响
尽管移民问题已经争论了几十年,但2016年美国总统大选的结果引发了更多的政治化,尤其是在无证移民方面。关于无证人员的主流叙事继续被构建在破坏性和缺陷性的视角中,将个人定位为非人(“外国人”)和罪犯(“非法”)。考虑到当前的反移民氛围,必须从无证学生的经历中学习,以及公民身份如何影响音乐课的学习和参与。重要的是,从无证学生的经历中学习可以帮助教育工作者和管理人员更好地支持学校社区中的大量人群。在这篇文献综述中,我探讨了与美国无证移民学生相关的研究,并为与无证学生和家庭合作提供了启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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