R. Gajjala, Ololade Faniyi, Sarah Ford, R. Untari, M. A. Al Makmun
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引用次数: 0
Abstract
This article examines women’s shifting roles in the production of handwoven cloth in Sumba, Indonesia. The main themes that emerge are the invisible labor of women and the production of a self-empowered entrepreneurial, gendered, laboring subjectivity that works in tandem with a housewife ideology firmly situated in a ‘new’ liberal patriarchy. The inequalities emerging from these shifts are parallel to inequalities produced through neoliberalization of global south craft communities in a context of global markets and tourist-oriented production. The discussion in this article is based on case studies drawn from over 50 interviews conducted during field visits and continued remotely when away from the field in Lambanapu and Praillu regions in Waingapu of Sumba, Indonesia. Overall, our analysis reveals how cultural work in this global south context reproduces a Westernized, neoliberal patriarchy even as it allows for individualized expressions of women’s agency.`
期刊介绍:
European Journal of Cultural Studies is a major international, peer-reviewed journal founded in Europe and edited from Finland, the Netherlands, the UK, the United States and New Zealand. The journal promotes a conception of cultural studies rooted in lived experience. It adopts a broad-ranging view of cultural studies, charting new questions and new research, and mapping the transformation of cultural studies in the years to come. The journal publishes well theorized empirically grounded work from a variety of locations and disciplinary backgrounds. It engages in critical discussions on power relations concerning gender, class, sexual preference, ethnicity and other macro or micro sites of political struggle.