Bill Gates and the ‘new normal’ COVID-19 conspiracy theories: ‘it’s a new thing’ or nothing new under the sun?

IF 1.5 Q1 CULTURAL STUDIES
Arby Ted Siraki, Malek H. Mohammad
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引用次数: 0

Abstract

ABSTRACT The outbreak of SARS-CoV-2 in late 2019 and the subsequent lockdowns led to widespread conspiracy theories often involving one particular actor: Bill Gates. Adherents of these conspiracy theories believed Gates was behind the pandemic for some nefarious purpose, including chipping and/or eugenics. This was, however, no fringe sentiment: celebrities and other prominent voices articulated some iteration of the Gates-COVID-19 conspiracy theory beginning in 2020. Though the conspiracy theory appears to have come out of nowhere, it does have a (pre-)history. Some have tried to point to a single or recent origin, but it is in fact much older, more complex, and informed by real developments over the previous two decades. This article traces the origins of the conspiracy theory going back to its prehistory in the 1990s, describes the narrative in its various iterations and (per)mutations – along with Gates’s shifting role in them – and charts the dissemination of this dynamic conspiracy theory while examining some of its notable tropes.
比尔·盖茨和“新常态”COVID-19阴谋论:“这是新事物”还是太阳底下没有新事物?
2019年底SARS-CoV-2的爆发和随后的封锁导致了广泛的阴谋论,这些阴谋论通常涉及一个特定的参与者:比尔·盖茨。这些阴谋论的拥护者认为,盖茨是这场流行病的幕后黑手,有一些邪恶的目的,包括芯片和/或优生学。然而,这并不是一种边缘情绪:名人和其他知名人士从2020年开始表达了盖茨- covid -19阴谋论的一些迭代。虽然阴谋论似乎不知道从哪里冒出来,但它确实有(前)历史。有些人试图指出一个单一的或最近的起源,但事实上它更古老,更复杂,并在过去二十年的实际发展中得到证实。这篇文章追溯了阴谋论的起源,可以追溯到20世纪90年代的史前时期,描述了故事的各种迭代和(每)突变——以及盖茨在其中的角色转变——并绘制了这个动态阴谋论的传播图表,同时考察了其中一些值得注意的比喻。
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来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
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