Malay folk genre pantun: traditions and modernity

D. Bartosh, E. Kotova, V. Kytina, Mariya V. Kharlamova
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引用次数: 0

Abstract

The aim of the study is to analyze and systematize the features of pantun, both traditional for this Malay folklore genre and due to its historical development, and uniqueness, inherent in individual pantuns, as well as to identify the reasons for the relevance of this genre in Malay culture. Comparative-typological, descriptive-functional, and cultural-historical research methods were used. The main features of pantun as a traditional genre of Malay poetry are systematized. Logic, brevity, and the presence of rhyme are identified as the main structural features due to the historical development of pantun. These features determine in many ways the content: symbolism, allegorical and thematic, as well as the phonetic features of the pantun. The considered features of pantuns that meet certain national characteristics of the Malay people can be identified as the reasons for the popularity of this genre so far. The classic folk pantun is a miniature poetic form, characterized by structural, substantive and phonetic features and strict rules of design. Violations of the traditional rules in individual pantuns are rather exceptional and subordinate to the content component. Being an integral part of the culture of the people, pantuns undergo some changes in the thematic aspect they reflect the realities of modern reality, but these changes do not go beyond the boundaries of the traditions of the genre.
马来民间流派:传统与现代
本研究的目的是分析和系统化潘屯的特征,这既是马来民间传说流派的传统特征,也是由于其历史发展和独特性,在个体潘屯中固有的特征,并确定这一流派在马来文化中的相关性的原因。采用了比较类型学、描述性功能学和文化史研究方法。潘屯作为马来传统诗歌流派的主要特征是系统化的。由于潘屯的历史发展,其主要结构特征是逻辑性、简洁性和韵律性。这些特征在许多方面决定了潘屯的内容:象征性、寓言性和主题性,以及潘屯的语音特征。考虑到潘通的特征符合马来人的某些民族特征,可以确定为这一流派迄今流行的原因。民间经典潘屯是一种微型的诗歌形式,具有结构性、实体性、语音性和严密的设计规则等特点。在个别pantun中违反传统规则的情况相当特殊,并且从属于内容组件。作为人民文化的一个组成部分,潘通在主题方面发生了一些变化——它们反映了现代现实的现实,但这些变化并没有超越该流派传统的界限。
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来源期刊
CiteScore
0.10
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58
审稿时长
5 weeks
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