Este labirinto, o nosso amuleto: considerações sobre Julio Cortázar e Roberto Bolaño

Francielly Baliana
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引用次数: 0

Abstract

The concept of labyrinth is important to Julio Cortazar's literature, especially in works like Rayuela and in tales like those gathered in Bestiario. As his reader, Roberto Bolano for the time being seems to manifest in works like Amuleto the resignification of this labyrinthine capacity, taking literature to other levels, in which the notions of construction and destruction of the narrative can be associated with both the fatality of an abyss and the performance that involves the point of view of the narrator. This article aims to analyze how these movements occur in both authors and to what extent approximations and distances are possible within this larger labyrinth in which they both live together, Latin American literature.
这个迷宫,我们的护身符:关于Julio Cortázar和Roberto Bolaño的思考
迷宫的概念对胡里奥·科尔塔扎尔的文学很重要,尤其是在《拉尤拉》和《贝斯蒂里奥》等故事中。作为他的读者,罗伯托·博拉诺(Roberto Bolano)目前似乎在《阿穆莱托》(Amuleto)等作品中表现出了这种迷宫般的能力的放弃,将文学带到了其他层面,在这些层面上,叙事的构建和破坏概念既可以与深渊的死亡联系在一起,也可以与涉及叙述者观点的表演联系在一起。本文旨在分析这些运动是如何在两位作者身上发生的,以及在他们共同生活的拉丁美洲文学这个更大的迷宫中,近似和距离在多大程度上是可能的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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