Thoughts upon a Neolithic Cave Painting of Childbirth in Anatolia and its implications

IF 0.6 4区历史学 Q3 ANTHROPOLOGY

Praehistorische Zeitschrift Pub Date : 2022-10-29 DOI:10.1515/pz-2022-2027

Derya Yalçıklı

引用次数: 0

Abstract

Abstract The subjects of the Late Neolithic cave paintings in İnkaya Cave, Balıkesir are life and death. It is seen that the panels representing Life are based on the formation of a fetus inside a pregnant woman’s abdomen, its development then birth, and the celebration of a new individual joining the community, alongside an emphasis on the shaman’s function throughout this process. Similar subjects in the Neolithic Age in Anatolia are presented to the viewer from different perspectives in cave paintings, reliefs and figurines showing scenes that depict sexuality, pregnant women, and childbirth. The successful use of the “X-ray” style in the creation of the İnkaya Cave painting in the Neolithic period fills a gap in the history of Anatolian painting and sculpture.

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对安纳托利亚新石器时代分娩洞穴壁画的思考及其意义

摘要巴尔凯西尔伊恩卡亚洞穴新石器时代晚期洞穴绘画的主题是生与死。可以看出，代表生命的面板是基于孕妇腹部胎儿的形成、胎儿的发育和出生，以及对新个体加入社区的庆祝，同时强调萨满在整个过程中的作用。安纳托利亚新石器时代的类似主题在洞穴绘画、浮雕和雕像中从不同的角度呈现给观众，展示了描绘性、孕妇和分娩的场景。“X射线”风格在新石器时代伊恩卡亚洞穴绘画创作中的成功运用填补了安纳托利亚绘画和雕塑史上的空白。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Praehistorische Zeitschrift Multiple-

CiteScore

1.30

自引率

16.70%

发文量

期刊介绍： The Praehistorische Zeitschrift is regarded as one of the most renowned German publications in the area of Prehistory and Ancient History. In keeping with its traditional mission, it presents detailed accounts of the most recent research conducted in Europe. The geographical emphasis is placed on Eastern, South-Eastern and Northern Central Europe. A comprehensive review section deals with recent German and international monographs from the field of prehistoric archaeology. Contributions are published in German, English or French, with a brief abstract in the other two languages; if necessary, a summary is provided in the author"s native language.