Julião Sarmento: The Innuendo of the Real

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
J. Amorim
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引用次数: 0

Abstract

Juliao Sarmento’s body of work crosses artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Juliao Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.
juli o Sarmento:真实的影射
Juliao Sarmento的作品跨越了艺术学科和领域。艺术家将电影和视频作为一种手段来实现一个想法的艺术表达,并可以进行无限的解读。这篇视听文章着眼于Juliao Sarmento处理运动图像的方式,重点从三个主要角度:单词、(女性)身体和节奏。我们得出的结论是,Sarmento的每一部作品都构建了一个代码和沟通系统,开启了对人类与“真实”关系的新理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Science and Technology of the Arts
Journal of Science and Technology of the Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊介绍: The Journal of Science and Technology of the Arts (CITARJ) covers a wide range of topics related to the study and practice of Artistic work approached through Science and Technology, including: -Aesthetics of New Media- Audiovisual and Cinematic Art- Computer Music- Digital Arts - Digital Culture- Generative Art/Systems- Interactive Art - Interactive Multimedia- Interactive Sound- New Interfaces for Digital Expression- New Media Art- Tangible interfaces.
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