Liturgical chant bibliography 29

IF 0.5 1区艺术学 0 MEDIEVAL & RENAISSANCE STUDIES

Plainsong & Medieval Music Pub Date : 2020-10-01 DOI:10.1017/S0961137120000157

Marie Winkelmüller-Urechia, R. Carrillo

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引用次数: 0

Abstract

The editors hope you and your loved ones have remained healthy during the COVID-19 pandemic. Like you, we have needed to adapt to the unexpected. Libraries having been closed we have been unable to consult materials in the usual way. The following bibliography has a simpler format than usual and has relied more than usual on submissions of bibliographical information from the authors. We are extremely grateful to all who contributed this year. Moreover Raquel Rojo Carrillo could not work on LCB 29 because she gave birth to a son last February. Congratulations! During the shutdown LCB 29 was compiled solely by Marie Winkelmüller-Urechia. LCB 29 retains the format established byMichael Paucker and expanded by Raquel Rojo Carrillo and Marie Winkelmüller-Urechia: (1) Additions, including new volumes of collections and reviews of publications previous listed; (2) Editions and facsimiles; (3) Books and reprints; (4) Congress proceedings; (5) Chant journals; (6) Collections of essays and dictionaries; (7) Articles in periodicals and Festschriften; (8) Ph.D. dissertations; and (9) Websites and online databases. Highlights of this year’s publications on liturgical chant include a new volume in the series Corpus Monodicum based at the University Würzburg. This volume ranges from tropes to Mass antiphons. This year also saw significant publications on the Libri ordinarii from Nivelles, Regensburg, Passau and Seckau. Publications on local chant traditions include Terence Bailey’s edition and commentaries on the Ambrosian psallendae. With sincere appreciation for your cooperation and communication, we again ask that you send references (including reviews) of new published works for future installments of the LCB to Dr Raquel Rojo Carrillo and Dr Marie Winkelmüller-Urechia at liturgchantbiblio@gmail.com. Thank you very much in advance!

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礼仪圣歌参考书目29

编辑们希望你和你的亲人在新冠肺炎大流行期间保持健康。和你一样，我们也需要适应意想不到的事情。图书馆已经关闭，我们无法以通常的方式查阅资料。以下参考书目的格式比平时更简单，并且比平时更依赖于作者提交的书目信息。我们非常感谢今年作出贡献的所有人。此外，拉奎尔·罗乔·卡里略（Raquel Rojo Carrillo）无法在LCB 29工作，因为她去年2月生下了一个儿子。祝贺在关闭期间，LCB29仅由Marie Winkelmüller Urechia编写。LCB 29保留了Michael Paucker建立并由Raquel Rojo Carrillo和Marie Winkelmüller Urechia扩展的格式：（1）增加，包括新的收藏卷和对以前列出的出版物的评论；（2）版本和传真；（3）书籍和重印品；（4）国会议事程序；（5）吟唱期刊；（6）散文集和词典；（7）期刊和Festschriften上的文章；（8）博士学位论文；以及（9）网站和在线数据库。今年关于礼拜圣歌的出版物的亮点包括维尔茨堡大学出版的《圣歌集》系列的新一卷。这个音量的范围从比喻到质量反对方。今年，尼维尔、雷根斯堡、帕绍和塞克考也出版了关于普通图书馆的重要出版物。关于当地圣歌传统的出版物包括特伦斯·贝利的版本和对安布罗斯诗歌的评论。衷心感谢您的合作和沟通，我们再次要求您将LCB未来几期新出版作品的参考资料（包括评论）发送给Raquel Rojo Carrillo博士和Marie Winkelmüller Urechia博士，网址为liturgchantbiblio@gmail.com.提前非常感谢！

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来源期刊

Plainsong & Medieval Music Multiple-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.