Grounding the Analysis of Cognitive Processes in Music Performance: Distributed Cognition in Musical Activity by Linda T. Kaastra

Q1 Arts and Humanities
E. Payne
{"title":"Grounding the Analysis of Cognitive Processes in Music Performance: Distributed Cognition in Musical Activity by Linda T. Kaastra","authors":"E. Payne","doi":"10.1177/20592043221108055","DOIUrl":null,"url":null,"abstract":"The opening of Grounding the Analysis of Cognitive Processes in Music by Linda T. Kaastra poses a question that implies an ambitious agenda: what is music? As the title of the book suggests, Kaastra addresses this question by locating her work fi rmly in a performance-centered ontology: music as action rather than object. Not so much “ what is music? ” , then, but rather “ where ” , “ how ” , or even “ when is music? ” . In this way, the main concern of the book — the location of (musical) knowledge","PeriodicalId":33047,"journal":{"name":"Music Science","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/20592043221108055","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

The opening of Grounding the Analysis of Cognitive Processes in Music by Linda T. Kaastra poses a question that implies an ambitious agenda: what is music? As the title of the book suggests, Kaastra addresses this question by locating her work fi rmly in a performance-centered ontology: music as action rather than object. Not so much “ what is music? ” , then, but rather “ where ” , “ how ” , or even “ when is music? ” . In this way, the main concern of the book — the location of (musical) knowledge
音乐表演认知过程分析的基础:音乐活动中的分布式认知
琳达·T·卡斯特拉(Linda T.Kaastra)的《建立对音乐认知过程的分析基础》(Grounding The Analysis of Cognitive Processes in Music)一书的开篇提出了一个问题,这意味着一个雄心勃勃的议程:什么是音乐?正如书名所示,Kaastra通过将她的作品定位在以表演为中心的本体论中来解决这个问题:音乐是行动而不是对象。与其说是“音乐是什么?”,不如说是“在哪里”、“如何”,甚至“音乐什么时候?”。这样一来,这本书的主要关注点——(音乐)知识的位置
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
Music  Science
Music Science Arts and Humanities-Music
CiteScore
2.80
自引率
0.00%
发文量
15
审稿时长
10 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信