{"title":"Grounding the Analysis of Cognitive Processes in Music Performance: Distributed Cognition in Musical Activity by Linda T. Kaastra","authors":"E. Payne","doi":"10.1177/20592043221108055","DOIUrl":null,"url":null,"abstract":"The opening of Grounding the Analysis of Cognitive Processes in Music by Linda T. Kaastra poses a question that implies an ambitious agenda: what is music? As the title of the book suggests, Kaastra addresses this question by locating her work fi rmly in a performance-centered ontology: music as action rather than object. Not so much “ what is music? ” , then, but rather “ where ” , “ how ” , or even “ when is music? ” . In this way, the main concern of the book — the location of (musical) knowledge","PeriodicalId":33047,"journal":{"name":"Music Science","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/20592043221108055","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The opening of Grounding the Analysis of Cognitive Processes in Music by Linda T. Kaastra poses a question that implies an ambitious agenda: what is music? As the title of the book suggests, Kaastra addresses this question by locating her work fi rmly in a performance-centered ontology: music as action rather than object. Not so much “ what is music? ” , then, but rather “ where ” , “ how ” , or even “ when is music? ” . In this way, the main concern of the book — the location of (musical) knowledge
琳达·T·卡斯特拉(Linda T.Kaastra)的《建立对音乐认知过程的分析基础》(Grounding The Analysis of Cognitive Processes in Music)一书的开篇提出了一个问题,这意味着一个雄心勃勃的议程:什么是音乐?正如书名所示,Kaastra通过将她的作品定位在以表演为中心的本体论中来解决这个问题:音乐是行动而不是对象。与其说是“音乐是什么?”,不如说是“在哪里”、“如何”,甚至“音乐什么时候?”。这样一来,这本书的主要关注点——(音乐)知识的位置