Work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and their impact on cultural participation

IF 0.7 Q4 BUSINESS
B. Flath, Maryam Momen Pour Tafreshi
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Abstract

PurposeThe purpose of this article is to illuminate the relations of work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and barriers and needs of vulnerable customers (VC) in order to explore possibilities to increase cultural participation of VC.Design/methodology/approachThis article explores work-related practices of managers of live music events in OWL and asks if and to what extent these practices have an influence on the cultural participation of “vulnerable customers” (VC). It combines the findings of two studies: a) an explorative investigation on the work-related self-conceptions of managers of live music events in OWL (Study 1), and b) a sub-project on cultural participation of VC, which is part of the research project “kulturPreis. Increasing cultural participation through innovative and economically sustainable pricing concepts”, funded by the German Federal Ministry of Education and Research (Study 2).FindingsIt can be stated that there is an imbalance of knowledge: while VC tend to have a clear understanding of which barriers are the responsibility of managers of live music events, managers tend to lack knowledge regarding the needs of VC, and regarding the interrelationships between financial and social barriers facing them. Whether this knowledge and understanding can be developed in the future depends on the possibilities of exchanges between managers of live music events, cultural institutions, welfare organisations, political institutions and not least VC.Originality/valueBased on these studies, this article combines different approaches by linking work-related practices of managers of live music events with cultural participation of VC.
Ostwestfalen Lippe(OWL)现场音乐活动当地管理人员的工作实践及其对文化参与的影响
目的本文旨在阐明奥斯特威斯特法伦-利佩(OWL)现场音乐活动当地经理的工作实践与弱势客户的障碍和需求之间的关系,以探索增加VC文化参与的可能性并询问这些做法是否以及在多大程度上影响了“弱势客户”(VC)的文化参与。它结合了两项研究的结果:a)对OWL现场音乐活动经理与工作相关的自我概念的探索性调查(研究1),以及b)VC文化参与的子项目,该项目是研究项目“kulturPreis.通过创新和经济可持续的定价概念增加文化参与”的一部分,由德国联邦教育和研究部资助(研究2)。发现可以说,存在知识的不平衡:虽然风险投资往往清楚地了解哪些障碍是现场音乐活动管理者的责任,但管理者往往缺乏关于风险投资需求的知识,以及他们面临的金融和社会障碍之间的相互关系。这种知识和理解能否在未来得到发展,取决于现场音乐活动、文化机构、福利组织、政治机构的管理者之间交流的可能性,本文结合了不同的方法,将现场音乐活动经理的工作实践与VC的文化参与联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.60
自引率
28.60%
发文量
13
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