The Music Encoding Initiative: Facilitating Open Access for Musical Notation

Q2 Arts and Humanities
Emily M. Colucci
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引用次数: 0

Abstract

Since the early 2000’s, the Music Encoding Initiative (MEI) has brought together professionals from varying backgrounds seeking innovative methods to create and share western musical notation within an open-source digital environment. The ability to encode the finer intricacies of musical notation utilizing MEI schemas such as the eXtensible Markup Language (XML) is described by the MEI Guidelines and its accompanying bylaws. This review highlights resources on the MEI website (https://music-encoding.org) and Humanities Commons platform (https://hcommons.org/groups/musicencoding-initiative/deposits/) that keep the community connected and serve as practical aids for individuals wishing to become involved. The Music Encoding Initiative welcomes anyone interested in working together to create and reproduce manuscripts and facsimiles of musical works. A portion of this review essay introduces a series of video tutorials and accompanying documentation created for graduate music students by Maristella Feustle, the Music Special Collections Music Librarian at the University of North Texas (UNT). Access to these tutorials and documentation via the MEI website and the Humanities Commons CORE repository is a focus of discussion, as these videos provide guidance to music professionals becoming more accustomed to working with the Music Encoding Initiative. A recent phenomenon also discussed here encompasses teaching MEI to graduate music students studying MEI throughout the United States, Canada, and Europe. While this endeavor presents benefits and challenges, the concept of teaching music encoding to graduate music students using MEI may become more prevalent in music programs.
音乐编码倡议:促进音乐符号的开放获取
自2000年代初以来,音乐编码倡议(MEI)汇集了来自不同背景的专业人士,寻求在开源数字环境中创建和共享西方乐谱的创新方法。MEI指南及其附属细则描述了利用MEI模式(如可扩展标记语言(XML))对更精细的乐谱进行编码的能力。这篇评论重点介绍了MEI网站上的资源(https://music-encoding.org)和人文共享平台(https://hcommons.org/groups/musicencoding-initiative/deposits/)使社区保持联系,并为希望参与的个人提供实际帮助。音乐编码倡议欢迎任何有兴趣合作创作和复制音乐作品的手稿和传真的人。这篇评论文章的一部分介绍了北德克萨斯大学(UNT)音乐特别收藏音乐图书馆员Maristella Feustle为音乐研究生创建的一系列视频教程和随附文档。通过MEI网站和Humanities Commons CORE存储库访问这些教程和文档是讨论的焦点,因为这些视频为越来越习惯于使用音乐编码倡议的音乐专业人士提供了指导。这里还讨论了一个最近的现象,包括向在美国、加拿大和欧洲学习MEI的音乐研究生教授MEI。虽然这项工作带来了好处和挑战,但在音乐课程中,使用MEI向音乐研究生教授音乐编码的概念可能会变得更加普遍。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Music Reference Services Quarterly
Music Reference Services Quarterly Arts and Humanities-Music
CiteScore
0.40
自引率
0.00%
发文量
30
期刊介绍: Music Reference Services Quarterly is a refereed journal covering all aspects of the management and use of music collections and services in academic, orchestra, public, conservatory, and performing/fine arts libraries, as well as archives and museums. The Journal emphasizes research related to administration and management, bibliographic instruction, collection development, digital audio delivery, electronic resources, facilities, music librarianship education, preservation of music materials, reference services, cataloging, and bibliographies relating to printed music and audio-visual materials. The Journal publishes conceptual papers, literature reviews, practical case studies and opinion pieces. Regular columns include electronic resource reviews, book reviews and interviews.
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