Guest Editors’ Introduction: Virtual reality: immersion and empathy

IF 0.4 4区 社会学 0 ART
Brooke Belisle, Paul Roquet
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引用次数: 5

Abstract

Many of us are ‘over’ virtual reality (VR), even if it has yet to happen in the way we imagine it. Always about to arrive, VR has exhausted any sane sense of anticipation. To sustain itself, the enthusiasm that it sparks about what could be over the next technological horizon sometimes rebounds, instead, toward the past to rediscover historical precursors. Witness, for example, the unlikely resuscitation of the Viewmaster in 2015, using a smartphone as a very expensive, moving-image stereoscope.1 As popular interest waxes and wanes, VR seems to have always been around and to be always emerging, but never to have completely arrived.
客座编辑介绍:虚拟现实:沉浸感和同理心
我们中的许多人都对虚拟现实(VR)“着迷”了,即使它还没有以我们想象的方式发生。VR总是即将到来,但它已经耗尽了所有理智的期待。为了维持自身,它所激发的对未来技术前景的热情有时会反弹到过去,重新发现历史的先驱者。例如,2015年Viewmaster(可视大师)出人意料地复活了,它将智能手机用作非常昂贵的移动图像立体镜随着大众兴趣的兴衰,虚拟现实似乎一直存在,也一直在兴起,但从未完全到来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.50
自引率
0.00%
发文量
0
期刊介绍: journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine
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