Drawing in a Memory Theater: Revisiting Marco Frascari on Carlo Scarpa’s Reggia – Mastio Bridge Drawings at the Castelvecchio

IF 1.1 0 ARCHITECTURE

Architecture and Culture Pub Date : 2021-04-19 DOI:10.1080/20507828.2020.1867801

S. Ridgway

引用次数: 0

Abstract

Abstract Studying, teaching and working with Carlo Scarpa (1906–1978) provided the remarkable architect and scholar Marco Frascari (1945–2013) with a unique opportunity to later write about and reveal his insights – of which there are many – into Scarpa’s world of drawing and imagining buildings. With reference to a selection of Frascari’s texts, this essay reexamines two drawings Scarpa made of the bridge between the Reggia and the Mastio tower as part of his remodeling of the Castelvecchio Museum in Verona. Frascari brings to light and situates Scarpa’s imaginative drawing practices in relation to the theater, particularly the memory theater of another former resident of Venice, Giulio Camillo (ca. 1480–1544).

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绘画在记忆剧场:重新访问马可·弗拉斯卡里对卡洛·斯卡帕的雷吉亚-马斯蒂奥桥图纸在城堡

摘要与Carlo Scarpa（1906–1978）一起学习、教学和工作，为杰出的建筑师和学者Marco Frascari（1945–2013）提供了一个独特的机会，他后来可以写下并揭示他对Scarpa绘画和想象建筑世界的见解，其中有很多见解。参考Frascari的精选文本，本文重新审视了斯卡帕为雷吉亚和马斯蒂奥塔之间的桥梁绘制的两幅图纸，这是他重建维罗纳卡斯泰尔韦基奥博物馆的一部分。Frascari揭示了斯卡帕富有想象力的绘画实践与剧院的关系，尤其是另一位威尼斯前居民Giulio Camillo（约1480–1544）的记忆剧院。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Architecture and Culture ARCHITECTURE-

CiteScore

0.80

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0.00%

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期刊介绍： Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.