{"title":"Pearl and Aquinas: Rival Models for Transforming Grief","authors":"Sheryl Overmyer","doi":"10.5325/jmedirelicult.48.1.0068","DOIUrl":null,"url":null,"abstract":"abstract:This article compares the Pearl and Thomas Aquinas on emotions, will, reason, and the character of the virtues. I focus on the figure of the Jeweler, who in his struggle with grief and longyng, foregoes the high-medieval understanding of moral transformation found in Thomas. Pearl and Aquinas fashion distinct models of emotion, which differ on notions of desire, intellect, habituation, and practices. Ultimately, I demur from newer Pearl studies that tie the poem’s theological and moral debts to Thomas and orthodox versions of pre-Reformation Catholicism, arguing instead that Pearl occupies a unique place in the late-medieval history of emotion.","PeriodicalId":40395,"journal":{"name":"Journal of Medieval Religious Cultures","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Medieval Religious Cultures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/jmedirelicult.48.1.0068","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
abstract:This article compares the Pearl and Thomas Aquinas on emotions, will, reason, and the character of the virtues. I focus on the figure of the Jeweler, who in his struggle with grief and longyng, foregoes the high-medieval understanding of moral transformation found in Thomas. Pearl and Aquinas fashion distinct models of emotion, which differ on notions of desire, intellect, habituation, and practices. Ultimately, I demur from newer Pearl studies that tie the poem’s theological and moral debts to Thomas and orthodox versions of pre-Reformation Catholicism, arguing instead that Pearl occupies a unique place in the late-medieval history of emotion.