{"title":"Dealing with a hangover of Public Archaeology: Scattered thoughts on the Italian ‘Archeologia Pubblica’","authors":"F. Benetti","doi":"10.23914/AP.V10I0.294","DOIUrl":null,"url":null,"abstract":"Public Archaeology is a young discipline, we all know that. It’s even younger in Italy, where public archaeology has not even reached ‘adulthood’. Cited for the first time by Armando De Guio in 2000 (De Guio and Bressan 2000), it was only a decade later that Public Archaeology has started to become ‘a thing’, thanks to some pioneering experiences at the University of Florence (Bonacchi 2009; Vannini 2011), and especially after a national conference in 2012 (in Florence: see Zuanni 2013 for a summary). Italian archaeologists’ first reaction was to overlap the new discipline with the experiences already in place, which in Italy were under the category of ‘valorizzazione’ (enhancement). They were not exactly the same: while Public Archaeology is characterised by a reflection on the objectives of the research from the very start, a focus on having a reliable methodology, and a strong element linked to evaluation, ‘enhancement’ experiences – while often valuable and successful – lacked the same structure and reliability. This is probably due to an underestimation of these practices as a scientific topic, thus deserving the same structure required for any other type of research. Often this resulted in a mere description of the activities carried out, with a generic objective like ‘increasing the knowledge of archaeology in the public sphere’ without really evaluating if the activities worked or not. Public Archaeology became a sort of a trendy subject, outdating the term ‘valorizzazione’, at least in most of the university milieu, and creating confusion on the subject and the methodology. This sometimes has led to a sort of ‘hangover’ effect, similar to what happens with summer songs: they sound fun when you first hear them, but after months you just want to move on! Few doctoral theses awarded in Archaeology have been devoted to topics related to Public Archaeology up to the present date and the risk is that after this ‘hangover’ the subject will be penalised in comparison to others.","PeriodicalId":37365,"journal":{"name":"AP Arqueologia Publica","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"AP Arqueologia Publica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23914/AP.V10I0.294","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Public Archaeology is a young discipline, we all know that. It’s even younger in Italy, where public archaeology has not even reached ‘adulthood’. Cited for the first time by Armando De Guio in 2000 (De Guio and Bressan 2000), it was only a decade later that Public Archaeology has started to become ‘a thing’, thanks to some pioneering experiences at the University of Florence (Bonacchi 2009; Vannini 2011), and especially after a national conference in 2012 (in Florence: see Zuanni 2013 for a summary). Italian archaeologists’ first reaction was to overlap the new discipline with the experiences already in place, which in Italy were under the category of ‘valorizzazione’ (enhancement). They were not exactly the same: while Public Archaeology is characterised by a reflection on the objectives of the research from the very start, a focus on having a reliable methodology, and a strong element linked to evaluation, ‘enhancement’ experiences – while often valuable and successful – lacked the same structure and reliability. This is probably due to an underestimation of these practices as a scientific topic, thus deserving the same structure required for any other type of research. Often this resulted in a mere description of the activities carried out, with a generic objective like ‘increasing the knowledge of archaeology in the public sphere’ without really evaluating if the activities worked or not. Public Archaeology became a sort of a trendy subject, outdating the term ‘valorizzazione’, at least in most of the university milieu, and creating confusion on the subject and the methodology. This sometimes has led to a sort of ‘hangover’ effect, similar to what happens with summer songs: they sound fun when you first hear them, but after months you just want to move on! Few doctoral theses awarded in Archaeology have been devoted to topics related to Public Archaeology up to the present date and the risk is that after this ‘hangover’ the subject will be penalised in comparison to others.
我们都知道,公共考古学是一门年轻的学科。在意大利甚至更年轻,那里的公共考古甚至还没有“成熟”。2000年,Armando De Guio首次引用了公共考古学(De Guio and Bressan 2000),仅仅十年后,由于佛罗伦萨大学的一些开创性经验,公共考古学开始成为“一件事”(Bonacchi 2009;Vannini 2011),尤其是在2012年的一次全国会议之后(在佛罗伦萨:见Zuanni 2013的摘要)。意大利考古学家的第一反应是将新学科与已有的经验重叠起来,这些经验在意大利属于“强化”的范畴。它们并不完全相同:虽然公共考古学的特点是从一开始就对研究目标进行反思,关注可靠的方法,以及与评估相关的强大元素,但“增强”经验-虽然通常是有价值和成功的-缺乏相同的结构和可靠性。这可能是由于低估了这些实践作为一个科学主题,因此应该为任何其他类型的研究提供相同的结构。这通常导致了对所进行的活动的简单描述,带有诸如“在公共领域增加考古学知识”之类的一般目标,而没有真正评估这些活动是否有效。公共考古学成为了一门时髦的学科,至少在大多数大学环境中,它已经过时了“价值”这个词,并且在这个学科和方法论上造成了混乱。这有时会导致一种“宿醉”效应,就像夏天的歌曲一样:当你第一次听到它们时,它们听起来很有趣,但几个月后,你只想继续前进!迄今为止,很少有获得考古学博士学位的论文致力于与公共考古学相关的主题,风险在于,在“宿醉”之后,与其他学科相比,该学科将受到惩罚。
期刊介绍:
AP: Online Journal in Public Archaeology is an international, peer reviewed, open access journal devoted exclusively to Public Archaeology. Edited by JAS Arqueología, it is freely distributed online in order to enable easy access to research and debates, and to spread the growing realm that is starting to settle into everyday archaeological practice. The aim of this journal is to explore the multiple relations between Archaeology and Society. Archaeology is generally understood as the study of past societies from their remains, and Public Archaeology is the study of the relations between Archaeology and Society in every aspect of daily life (social, economic and political). We are talking about the present of Archaeology and the different issues that surround and affect it. Below is a list of key topics covered: -The economic and political impact of Archaeology. -Archaeology as Popular Culture. -The history and development of Archaeology as a professional activity. -Theoretical issues around the publicity of Archaeology. -The image of Archaeology. -Legal issues affecting archaeological practice and the illicit trade of antiquities. -The presentation of Archaeology to the public. Of course, this is not an exhaustive list of topics, which is why the criteria for the preliminary selection of papers are subject to the topic. This journal has been created with the desire to become a reference in the field of Public Archaeology. Therefore, we encourage all of you working within the realm of Public Archaeology to share your thoughts, experiences and ideas in this open medium for the development of Public Archaeology.