The Development of Mounts and Mounting Techniques at the Albertina in Vienna from 1805 to 2018

IF 0.7 4区 管理学 Q3 INFORMATION SCIENCE & LIBRARY SCIENCE
Eva-Maria Loh, Sigrid Eyb-Green, W. Baatz
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引用次数: 0

Abstract

Abstract This article is part of the oral history research project at the Academy of Fine Arts Vienna and discusses the development of mountings and passe-partouts at the Grafische Sammlung Albertina from 1805 until 2018. Based on the history of passe-partouts, the professionalisation of paper conservation in Vienna can be described. Passe-partouts of drawings and prints were chronologically classified. The collection history, the appearance of the passe-partouts as well as inventory catalogues and collection stamps served to classify the passe-partouts. The prints were mounted on back mounts at the beginning of the 19th century, after 1822 they were stored in albums. Since 1900, prints were removed from the albums, from nationalisation in 1919 onwards, they were set in passe-partouts. The drawings, however, were always kept in passe-partouts. At the beginning, these only consisted of back mounts. In the 1860ies, they were supplemented by a window mount. The hinged window mount that appeared in the 1960ies has been complemented with a cover sheet since the 1990ies.
1805年至2018年维也纳阿尔贝蒂娜美术馆的坐骑和坐骑技术的发展
摘要:本文是维也纳美术学院口述历史研究项目的一部分,讨论了1805年至2018年在阿尔贝蒂娜美术馆(Grafische Sammlung Albertina)的装裱和传递的发展。根据过去的历史,维也纳的纸张保护的专业化可以描述。图纸和印刷品的放行按时间顺序分类。收藏历史,通行证的外观以及库存目录和收集邮票用于分类通行证。这些版画在19世纪初被装裱在背面,1822年之后被储存在相册中。自1900年以来,这些照片就被从相册中删除了,从1919年国有化开始,它们就被放在了通行证上。然而,这些画总是保存在分册里。一开始,这些只包括后面的坐骑。在19世纪60年代,他们被一个窗口安装补充。在20世纪60年代出现的铰链窗安装,自20世纪90年代以来已与封面页相辅相成。
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
15
期刊介绍: Restaurator is the only international periodical specializing exclusively in the conservation of library and archive materials. Articles examine the many important aspects of this subject area, such as technology, practical experience and organization. They also focus on scientific basics: Many articles deal with the development of new preservation techniques and the improvement and better understanding of established methods. The articles are written in English with summaries in English, French and German. By reading Restaurator regularly, librarians, archivists and restorers can keep up to date with the latest research and developments. The editorial committee is made up of experts from well-known institutions and organizations from all over the world
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