{"title":"\"That Vast Quantity of Laudanum I Have Been Known to Take\": Globalization, Empire, and the Performance of Addiction in the Eighteenth Century","authors":"Benjamin Breen","doi":"10.1215/00138282-9560232","DOIUrl":null,"url":null,"abstract":"Abstract:An impostor who claimed to be a refugee from Formosa (present-day Taiwan) named George Psalmanazar (1679?–1763) embodied two key aspects of addiction in eighteenth-century Europe: its connections to globalization and imperialism, and the complex interplay between the concept of \"positive\" addictions (such as addiction to study, devotion, or duty) and the growing attention paid to \"negative\" ones (addiction to superstition, sexuality, or intoxicating substances). Constantly changing his identity in response to his audience's expectations, Psalmanazar lived a life of continual performance—performance that hinged on trading one set of addictions for another. As he abandoned his falsified persona as an opiate-addicted, sexually licentious Taiwanese aristocrat, Psalmanazar embraced a postimposture persona as a pious scholar of religion who, like the holy men he studied, was \"addicted to the reading . . . [of] sacred writings.\" Strikingly, however, this second life as a humble scholar was sustained by regular opiate use. What had changed was how Psalmanazar thought about his use of the drug: no longer in the service of \"vanity\" or \"extravagance\" but instead in the service of God. With their blend of introspection and self-deception, Psalmanazar's Memoirs (1764) index the changing social and cultural roles of opiates and the concept of addiction in eighteenth-century Europe and beyond.","PeriodicalId":43905,"journal":{"name":"ENGLISH LANGUAGE NOTES","volume":"60 1","pages":"100 - 82"},"PeriodicalIF":0.2000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ENGLISH LANGUAGE NOTES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00138282-9560232","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:An impostor who claimed to be a refugee from Formosa (present-day Taiwan) named George Psalmanazar (1679?–1763) embodied two key aspects of addiction in eighteenth-century Europe: its connections to globalization and imperialism, and the complex interplay between the concept of "positive" addictions (such as addiction to study, devotion, or duty) and the growing attention paid to "negative" ones (addiction to superstition, sexuality, or intoxicating substances). Constantly changing his identity in response to his audience's expectations, Psalmanazar lived a life of continual performance—performance that hinged on trading one set of addictions for another. As he abandoned his falsified persona as an opiate-addicted, sexually licentious Taiwanese aristocrat, Psalmanazar embraced a postimposture persona as a pious scholar of religion who, like the holy men he studied, was "addicted to the reading . . . [of] sacred writings." Strikingly, however, this second life as a humble scholar was sustained by regular opiate use. What had changed was how Psalmanazar thought about his use of the drug: no longer in the service of "vanity" or "extravagance" but instead in the service of God. With their blend of introspection and self-deception, Psalmanazar's Memoirs (1764) index the changing social and cultural roles of opiates and the concept of addiction in eighteenth-century Europe and beyond.
期刊介绍:
A respected forum since 1962 for peer-reviewed work in English literary studies, English Language Notes - ELN - has undergone an extensive makeover as a semiannual journal devoted exclusively to special topics in all fields of literary and cultural studies. ELN is dedicated to interdisciplinary and collaborative work among literary scholarship and fields as disparate as theology, fine arts, history, geography, philosophy, and science. The new journal provides a unique forum for cutting-edge debate and exchange among university-affiliated and independent scholars, artists of all kinds, and academic as well as cultural institutions. As our diverse group of contributors demonstrates, ELN reaches across national and international boundaries.