Sappho, Hegel and Michael Field: Paradox and desire in lyric III

IF 0.1 0 LANGUAGE & LINGUISTICS
Mayron Estefan Cantillo-Lucuara
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引用次数: 0

Abstract

This article offers a close reading of Katharine Bradley and Edith Cooper’s lyric III in Long Ago, a Sapphic volume of verse published in 1889 under the collaborative nom de plume of Michael Field. This collection articulates a dramatic inquiry into the tragedy of unrequited love in a long cycle of lyrics whose third piece most effectively encapsulates the kernel of what the Fields reconstruct as Sappho’s ambivalent eroticism. The outcome of this reconstruction, as analysed in light of lyric III, is a consistent Hegelian view of desire that subsumes a complex system of tropes, myths, paradoxes and imaginative strategies under an overarching ideology of desire as a radical experience of appropriation, violence and self-destruction.
萨福、黑格尔与迈克尔·菲尔德:抒情诗中的悖论与欲望
这篇文章细读了凯瑟琳·布拉德利和伊迪丝·库珀在《Long Ago》中的歌词III,这是1889年以迈克尔·菲尔德的合作笔名出版的一本Sapphic诗集。这部作品集在一个长周期的歌词中表达了对单恋悲剧的戏剧性探索,其中第三首最有效地概括了菲尔兹重建的萨福矛盾的情色的核心。正如根据抒情诗III所分析的那样,这种重建的结果是一种一致的黑格尔欲望观,它将隐喻、神话、悖论和想象策略的复杂系统纳入欲望的总体意识形态之下,将其视为挪用、暴力和自我毁灭的激进体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Philologica Canariensia
Philologica Canariensia LANGUAGE & LINGUISTICS-
CiteScore
0.40
自引率
0.00%
发文量
18
审稿时长
25 weeks
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