Os doentes do eu

C. P. Flôres
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Abstract

This article proposes a reading of “Os doentes”, poem included in the book Eu, by the poet Augusto dos Anjos, starting from the philosopher Walter Benjamin’s conception about allegory as a ruinous procedure of language. In this poem, an “I” narrates historical events as someone who walks through an anachronistic metropolis, being himself pierced by individual decrepitude – the hetica, at the same time that he suffers a guilt for having “violated the laws of Nature” – the ethics. I consider death and physical decrepitude - portrayed throughout the poem in the body, in illness, in the corpse and in putrefaction - as allegorical of the moral and ethical degeneration of a “blond race”. Such reading makes it possible to place the narrative voice of the poem in two threshold dimensions, because the “I” is at the same time another (the sicks) and the others (a sick civilization).
自我的病人
本文从哲学家瓦尔特·本雅明关于寓言是语言的一种破坏性过程的观点出发,对诗人奥古斯托·多斯·安霍斯的《Eu》一书中的诗歌《Os doentes》进行解读。在这首诗中,一个“我”叙述了历史事件,就像一个人走过一个时代错误的大都市,他自己被个人的衰老刺穿了——hetica,同时他也因为“违反了自然法则”——伦理而感到内疚。我认为死亡和身体衰老——在整首诗中以身体、疾病、尸体和腐烂的形式被描绘出来——是对“金发种族”道德和伦理堕落的寓言。这样的阅读使得将诗歌的叙事声音置于两个门槛维度成为可能,因为“我”同时是另一个(病人)和他者(生病的文明)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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21
审稿时长
16 weeks
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