(Re-)Packaging Knowledge and The Business of Format: Benjamin Martin's The General Magazine of Arts and Sciences (1755–64)

IF 0.2 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Helga Schwalm
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引用次数: 0

Abstract

Benjamin Martin was an itinerant lecturer, instrument maker, and the author of a substantial number of textbooks mainly in the sciences. His biggest project, however, was The General Magazine of Arts and Sciences (1755–64), dedicated to the dissemination of knowledge to a broad audience. Rather than study Martin's works with regard to the history of science, this article examines his publications in terms of their highly self-conscious engagement with form and format. While his textbooks are concerned with economic compression, his periodical General Magazine experiments with a special, unwieldy mode of seriality that brings to the fore the role of format as well as the precarious status of seriality for the purposes of knowledge dissemination.

(重新)包装知识和格式的业务:本杰明·马丁的艺术与科学的一般杂志(1755-64)
本杰明·马丁是一个巡回讲师,仪器制造商,并撰写了大量的教科书,主要是在科学。然而,他最大的项目是《艺术与科学综合杂志》(The General Magazine of Arts and Sciences, 1755 - 1764),致力于向广大读者传播知识。本文不是从科学史的角度来研究马丁的作品,而是从他对形式和格式的高度自觉参与的角度来研究他的出版物。虽然他的教科书关注的是经济压缩,但他的期刊《通用杂志》(General Magazine)尝试了一种特殊的、笨拙的连载模式,突显了格式的作用,以及为了知识传播而连载的不稳定地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal for Eighteenth-Century Studies
Journal for Eighteenth-Century Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
25.00%
发文量
59
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