{"title":"Catherine Cole. Performance and the Afterlives of Injustice","authors":"Lisa L. Biggs","doi":"10.3138/md-65-1-br1","DOIUrl":null,"url":null,"abstract":"With Performance and the Afterlives of Injustice, Catherine Cole investigates how a group of contemporary South African artists have used performance to explore the ongoing ramifications or “afterlives” of apartheid. This engaging work spans five decades of South African performance history (1970–2020), posing critical questions about performance as a pedagogical tool and a practice of political engagement.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/md-65-1-br1","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
Abstract
With Performance and the Afterlives of Injustice, Catherine Cole investigates how a group of contemporary South African artists have used performance to explore the ongoing ramifications or “afterlives” of apartheid. This engaging work spans five decades of South African performance history (1970–2020), posing critical questions about performance as a pedagogical tool and a practice of political engagement.
凯瑟琳·科尔(Catherine Cole)在《表演与不公正的后遗症》(Performance and the Afterlifes of Injustice)一书中调查了一群当代南非艺术家如何利用表演来探索种族隔离的持续影响或“后遗症”。这项引人入胜的工作跨越了南非50年的绩效历史(1970年至2020年),提出了关于绩效作为一种教学工具和政治参与实践的关键问题。