Dismantling violence: Refocusing the Camera to BLM in South Asianist Humanities

IF 0.3 0 ASIAN STUDIES
S. Subramanian
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引用次数: 0

Abstract

ABSTRACT This essay is a first-person account of the material reality of being a South Asian scholar-activist, a university faculty who has been teaching at a Texas men’s prison for thirteen years now. It speaks to how the BLM has been always already a large part of this scholar’s pedagogical impulses and curricular design; for her graduate seminars in humanities, she centers black subjectivities in the texts, theories, and trajectories that are chosen. When the M4BL put out their philosophical vision, she brought, shared, and taught it in the prison classroom. Key themes of prison studies inform her classroom texts from abolition democracy to Afropessimism; her work critically reflects on these connections in classrooms that often have both black and brown students alongside white students, some of whom are declared white supremacists. Through a memoiristic-exercise of dwelling on the lived material reality of being a teacher who travels between the free and the carceral worlds, the knowledge transmitted as tools to dissemble walls, the essay attest to extant bridges of personal-political-ideological in which a brown immigrant woman can draw from a deep well of black epistemologies to speak about humanity in the last stops of the U.S. academy, its prisons.
拆除暴力:南亚主义人文中的BLM
摘要本文以第一人称叙述了作为一名南亚学者活动家的物质现实,他是一名在得克萨斯州男子监狱任教13年的大学教师。这说明土地管理局一直是这位学者教学冲动和课程设计的重要组成部分;在她的人文学科研究生研讨会上,她将黑人的主观主义集中在所选择的文本、理论和轨迹中。当M4BL提出他们的哲学愿景时,她在监狱课堂上带来、分享并教授。监狱研究的主要主题为她的课堂文本提供了信息,从废除民主到非洲主义;她的作品批判性地反映了课堂上的这些联系,课堂上经常有黑人和棕色人种的学生,还有白人学生,其中一些人被宣布为白人至上主义者。通过一种回忆录式的练习,思考作为一名在自由世界和死亡世界之间旅行的教师的生活物质现实,知识作为拆墙的工具传播,这篇文章证明了现存的个人政治意识形态的桥梁,在这些桥梁中,一位棕色移民女性可以从黑人认识论的深井中汲取灵感,在美国学院及其监狱的最后一站谈论人性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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