An Italian Renaissance Gate for the Khan: Visual Culture in Early Modern Crimea

Nicole Kançal-Ferrari
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Abstract

The article is a translation from English of the scientific work of the Turkish historian Nikole Kançal Ferrari: “An Italian Renaissance Gate for the Khan: Visual culture in Early Modern Crimea”. The article deals with the issue of foundation and identification of the author of the Iron Door (Demir Kapu) project in Backchisarai. The article also considers the question of the original location and date of installation of the project. This is rather difficult task due to the intensive restoration works and replacement of many decayed decorative components of the portal. The accurate analysis of the original appearance of the monument is almost impossible. In this regard, the analysis and research of the other sources is carried out except for the gates of the Topkapi Palace in Istanbul and the surviving inscriptions of the Crimean Khanate.
意大利文艺复兴时期的可汗之门:近代克里米亚的视觉文化
这篇文章是土耳其历史学家Nikole Kançal Ferrari的科学著作的英文翻译:“汗的意大利文艺复兴之门:现代克里米亚早期的视觉文化”。这篇文章讨论了在Backchisarai的铁门(Demir Kapu)项目的作者的基础和身份问题。该条还审议了项目的最初位置和安装日期问题。这是一项相当艰巨的任务,因为大量的修复工作和更换了许多腐烂的门户装饰部件。对纪念碑原貌的准确分析几乎是不可能的。在这方面,除了伊斯坦布尔托普卡皮宫的大门和现存的克里米亚汗国铭文外,对其他来源进行了分析和研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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