{"title":"Neoliberal World Reduction: Robert Heinlein and Milton Friedman's Free-Market Utopias","authors":"Stephen Schryer","doi":"10.1353/sfs.2023.a900279","DOIUrl":null,"url":null,"abstract":"ABSTRACT:In the 1960s and 1970s, sf writer Robert Heinlein and Chicago economist Milton Friedman emerged as voices for the American libertarian right, promoting idealized visions of absolute, laissez-faire capitalism. These visions depended on the authors' use of world reduction (Jameson). They stripped away many of the complexities of global capitalism, creating appealing pictures of a frictionless free market. This essay reads Robert Heinlein as an amateur economist, exploring his fascination with monetary theory from his early H.G. Wells-inspired socialist utopias to later libertarian fictions such as Stranger in a Strange Land (1961) and The Moon is a Harsh Mistress (1966). Heinlein's right-ward drift between these fictions hinged on his changing conception of risk, an idea that he at once celebrated and attenuated, rarely exposing the consequences of unfettered laissez-faire. Conversely, the essay reads Friedman as a science-fiction writer whose works for a popular audience (Capitalism and Freedom [1962], Free to Choose [1980]) extrapolate free-market futures that draw on nostalgic recreations of America's frontier past. Heinlein's and Friedman's books made their respective versions of libertarianism compelling for a generation of (mostly) white male middle-class readers. Their world reductions helped usher in a specifically neoliberal vision of the individual's place in society, one that celebrates economic freedoms while disavowing democratic liberties.","PeriodicalId":45553,"journal":{"name":"SCIENCE-FICTION STUDIES","volume":"50 1","pages":"175 - 196"},"PeriodicalIF":0.2000,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"SCIENCE-FICTION STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sfs.2023.a900279","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT:In the 1960s and 1970s, sf writer Robert Heinlein and Chicago economist Milton Friedman emerged as voices for the American libertarian right, promoting idealized visions of absolute, laissez-faire capitalism. These visions depended on the authors' use of world reduction (Jameson). They stripped away many of the complexities of global capitalism, creating appealing pictures of a frictionless free market. This essay reads Robert Heinlein as an amateur economist, exploring his fascination with monetary theory from his early H.G. Wells-inspired socialist utopias to later libertarian fictions such as Stranger in a Strange Land (1961) and The Moon is a Harsh Mistress (1966). Heinlein's right-ward drift between these fictions hinged on his changing conception of risk, an idea that he at once celebrated and attenuated, rarely exposing the consequences of unfettered laissez-faire. Conversely, the essay reads Friedman as a science-fiction writer whose works for a popular audience (Capitalism and Freedom [1962], Free to Choose [1980]) extrapolate free-market futures that draw on nostalgic recreations of America's frontier past. Heinlein's and Friedman's books made their respective versions of libertarianism compelling for a generation of (mostly) white male middle-class readers. Their world reductions helped usher in a specifically neoliberal vision of the individual's place in society, one that celebrates economic freedoms while disavowing democratic liberties.