Rethinking women’s guilty pleasures in a social media age: From soap opera to teen drama series

IF 0.4 0 FILM, RADIO, TELEVISION
Y. Gerrard
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引用次数: 1

Abstract

Fans of teen drama television series often feel that their pleasures are devalued. The history of research into soap opera fans (the genre from which teen drama series derive) tells us that this is unsurprising, as women’s popular pleasures have long been denigrated. Gaining global popularity in the mid-2000s, teen drama fandoms have almost exclusively played out on social media, and this article asks how fans’ experiences of their ‘guilty pleasures’ might have changed in a social media age. The article argues that two things remain unchanged: (1) the stubbornness of gendered and classed assumptions about ‘acceptable’ forms of culture and (2) the policing of behaviour within fandoms. But a noteworthy change lies in the norms themselves; that is, laborious and emotional fan practices are now more valuable than ‘likes’ and other social media metrics, a shift that undoes decades-old understandings of acceptable attachments to popular cultures.
重新思考社交媒体时代女性的罪恶感:从肥皂剧到青少年电视剧
青少年电视剧的粉丝们经常觉得他们的快乐被贬低了。对肥皂剧粉丝(青少年剧集的衍生类型)的研究历史告诉我们,这并不令人惊讶,因为长期以来,女性的大众娱乐一直受到诋毁。2000年代中期,青少年戏剧迷们在全球范围内广受欢迎,他们几乎只在社交媒体上表演,这篇文章询问了粉丝们在社交媒体时代对“罪恶快乐”的体验可能会发生什么变化。文章认为,有两件事没有改变:(1)对“可接受”的文化形式的性别和分类假设的顽固性;(2)粉丝内部行为的监管。但一个值得注意的变化在于规范本身;也就是说,与点赞和其他社交媒体指标相比,费力和情绪化的粉丝实践现在更有价值,这一转变颠覆了几十年来人们对流行文化可接受依恋的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Popular Television
Journal of Popular Television FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
14
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