L’insospettata prossimità della memoria storica: Descarriadas (2018) di Laila Ripoll

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Verónica Orazi
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引用次数: 0

Abstract

Descarriadas is a monologue about an atrocious legacy of Francoism: the internment in the centres of the Patronato de Protección a la Mujer (1941-1984) of girls considered descarriadas, that is, stragglers. To end up in these reformatories, it was enough to deviate even slightly from the morals imposed by the regime and to be reported by supervisors in charge of this type of control. Among the shocking aspects of the story, the continuation of this practice and the existence of the centres until the mid-1980s stands out. Over a period of forty years, this phenomenon involved thousands of girls: another example of a silenced intra-history that the play transforms into a cry, giving voice to the victims.
莱拉·里波尔(Laila Ripoll)的Descarriadas (2018)
Descarriadas是一篇关于弗朗哥主义残暴遗产的独白:在Protección a la Mujer(1941-1984)守护神中心的拘留被认为是Descarriadas的女孩,即流浪者。要进入这些感化院,只要稍微偏离了政权强加的道德规范,就足以被负责这种控制的主管报告。在这个故事令人震惊的方面中,这种做法的继续和中心的存在直到20世纪80年代中期都很突出。在四十年的时间里,这一现象涉及到成千上万的女孩:这是另一个沉默的历史内部的例子,该剧将其转化为一种哭泣,为受害者发出声音。
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来源期刊
Caietele Echinox
Caietele Echinox HUMANITIES, MULTIDISCIPLINARY-
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