THE NEXT GREAT ADVENTURE: REPRESENTATIONS OF DEATH IN J. K. ROWLING’S HARRY POTTER SERIES

Auba Llompart Pons
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Abstract

In line with previous studies about the importance of breaking with taboos surrounding death in children’s and YA literature, this article examines how this topic is treated in J. K. Rowling’s Harry Potter series. Whereas other critical works have focused on Rowling’s excessive representations of violent deaths, I concentrate on the more benign portrayals of this reality that can also be found in her novels. I contend that the series ultimately renders and treats death as a complex issue. On one hand, Rowling embraces the pedagogy of death with her explicit didactic message that death is not evil per se and has to be accepted as a natural part of our existence, an idea which is central to the series. On the other hand, this study also looks into the ways in which deviates from the pedagogy of death, arguing that this does not necessarily detract from the series’ potential to promote a healthy view of this topic among readers. On the contrary, Rowling’s capacity to teach her audience lessons about death while, at the same time, acknowledging that these lessons may sometimes be at odds with how readers actually feel about the end of life makes for a complex, sensitive and humane rendering of this subject.
下一次大冒险:罗的哈利波特系列中的死亡再现
与之前关于打破儿童和青少年文学中死亡禁忌的重要性的研究一致,本文探讨了J·K·罗琳的《哈利·波特》系列是如何处理这个话题的。其他批评作品都集中在罗琳对暴力死亡的过度描述上,而我则集中在她的小说中对这一现实的更温和的描绘上。我认为这部电视剧最终将死亡视为一个复杂的问题。一方面,罗琳接受了死亡教育学,她明确地传达了死亡本身不是邪恶的,必须被接受为我们存在的自然组成部分,这是该系列的核心思想。另一方面,本研究还探讨了偏离死亡教育学的方式,认为这并不一定会削弱该系列在读者中推广健康观点的潜力。相反,罗琳能够向观众传授关于死亡的课程,同时承认这些课程有时可能与读者对生命终结的真实感受不一致,这使得对这个主题的呈现变得复杂、敏感和人道。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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