A tensão entre o privado e o público na tragédia ‘Hipólito’, de Eurípides

Fernando Crespim Zorrer da Silva
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引用次数: 1

Abstract

To discuss the ‘private’ and the ‘public’ in a Greek tragedy, it is necessary that different issues be addressed, such as the male and female roles in the household, the male activities in the polis, and even the presence of gods in human relationships. Euripides’ Hippolytus provides us with a debate about the boundaries between the ‘private’ and the ‘public’, emphasizing the different vantage points from which men and women see the world. A peculiar aspect of the whole dramatic scene is that the narrative takes place when Theseus is away from home and, therefore, one does not know where he is or whether he is alive; that is the moment of disintegration of his family and, consequently, the boundaries between the private and the publicare reshaped.
欧里庇得斯《希波吕图》悲剧中的公私张力
为了讨论希腊悲剧中的“私人”和“公共”,有必要讨论不同的问题,例如家庭中的男性和女性角色,城邦中的男性活动,甚至人类关系中的神的存在。欧里庇得斯的《希波吕图》为我们提供了一场关于“私人”和“公共”之间界限的辩论,强调了男性和女性看待世界的不同视角。整个戏剧场景的一个特殊方面是,故事发生在忒修斯不在家的时候,因此,人们不知道他在哪里,也不知道他是否还活着;那是他家庭解体的时刻,因此,私人和公共之间的界限也随之重塑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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