{"title":"Bare Life and Biopolitics in El Rey de La Habana","authors":"Micah Mckay","doi":"10.1080/00397709.2022.2164659","DOIUrl":null,"url":null,"abstract":"Abstract In this essay, I propose a reading of Pedro Juan Gutiérrez’s novel El Rey de La Habana (1999) as a critique of the reduction of political life to what philosopher Giorgio Agamben calls “bare life.” The novel, written during the período especial highlights the state of emergency and economic crisis that overwhelmed Cuba following the fall of the Berlin Wall and the dissolution of the Soviet Union. My analysis centers on Reynaldo, the novel’s protagonist, and the various ways he embodies the thresholds or zones of indistinction that constitute bare life. In Agamben’s terms, Reynaldo exhibits the traits of homo sacer, the sacred man whose exclusion from political life is constitutive of modern sovereign power. In this sense, my biopolitical reading contemplates the central role of excessive corporeality in the novel as an index of the violence of sovereign power during Cuba’s Special Period.","PeriodicalId":45184,"journal":{"name":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00397709.2022.2164659","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract In this essay, I propose a reading of Pedro Juan Gutiérrez’s novel El Rey de La Habana (1999) as a critique of the reduction of political life to what philosopher Giorgio Agamben calls “bare life.” The novel, written during the período especial highlights the state of emergency and economic crisis that overwhelmed Cuba following the fall of the Berlin Wall and the dissolution of the Soviet Union. My analysis centers on Reynaldo, the novel’s protagonist, and the various ways he embodies the thresholds or zones of indistinction that constitute bare life. In Agamben’s terms, Reynaldo exhibits the traits of homo sacer, the sacred man whose exclusion from political life is constitutive of modern sovereign power. In this sense, my biopolitical reading contemplates the central role of excessive corporeality in the novel as an index of the violence of sovereign power during Cuba’s Special Period.
摘要在这篇文章中,我建议阅读佩德罗·胡安·古铁雷斯(Pedro Juan Gutiérrez)的小说《哈瓦那国王》(El Rey de La Habana,1999),作为对政治生活减少到哲学家乔治·阿甘本(Giorgio Agamben)所说的“裸生活”的批判,在秘鲁期间写的这本书特别强调了柏林墙倒塌和苏联解体后古巴陷入的紧急状态和经济危机。我的分析集中在小说的主人公雷纳尔多身上,以及他以各种方式体现构成裸露生活的界限或模糊地带。用阿甘本的话来说,雷纳尔多表现出了同一个圣人的特征,他被排除在政治生活之外是现代主权的组成部分。从这个意义上说,我的传记政治阅读思考了小说中过度物质化的核心作用,将其作为古巴特殊时期主权权力暴力的指标。
期刊介绍:
Symposium is a quarterly journal of criticism in modern literatures originating in languages other than English. Recent issues include peer-reviewed essays on works by Jorge Luis Borges, Bertolt Brecht, Mikhail Bulgakov, Miguel de Cervantes, Denis Diderot, Fyodor Dostoevsky, Paloma Díaz-Mas, Assia Djebar, Umberto Eco, Franz Kafka, Francis Ponge, and Leonardo Sciascia. Scholars of literature will find research on authors, themes, periods, genres, works, and theory, often through comparative studies. Although primarily in English, some issues include discussions of works in the original language.