R. Smits
{"title":"Disruption in times of COVID-19? The hybrid film festival format","authors":"R. Smits","doi":"10.1080/09548963.2023.2193872","DOIUrl":null,"url":null,"abstract":"The first waves of the COVID-19 pandemic had unprecedented implications for cultural sectors. With film festivals, music concerts and other cultural events being postponed or even cancelled, there was an urgency to respond to changing circumstances. Cultural events increasingly relied on hybrid or online formats to remain accessible for audiences. Because such formats caused controversy about programming and release strategies, they were easily conceived of as having a disruptive impact on cultural sectors. This paper puts such assumptions about disruption into question. It focuses on the film festival sector, which is increasingly invested in strategies of online accessibility and audience reach. The research is specifically based on the hybrid festival format. Drawing on case studies of hybrid film festivals such as London, Ghent and Rotterdam, it argues that their strategies and operations should be understood from the perspective of cultural change rather than disruption. © 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":" ","pages":""},"PeriodicalIF":1.7000,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Trends","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/09548963.2023.2193872","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
新冠肺炎时代的颠覆?混合电影节形式
新冠肺炎疫情的第一波对文化部门产生了前所未有的影响。随着电影节、音乐会和其他文化活动被推迟甚至取消,人们迫切需要应对不断变化的环境。文化活动越来越依赖于混合或在线形式来保持观众的可访问性。由于这种形式在节目编排和发行策略方面引起了争议,人们很容易认为它们对文化部门产生了破坏性影响。本文对这种关于破坏的假设提出了质疑。它专注于电影节行业,该行业越来越多地投资于在线访问和观众覆盖的战略。这项研究是专门基于混合节日形式。根据对伦敦、根特和鹿特丹等混合电影节的案例研究,它认为应该从文化变革的角度而不是破坏的角度来理解它们的战略和运作。©2023作者。由Informa UK Limited出版,交易名称为Taylor&Francis Group。
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