Larga vida a las actualidades. La difusión de imágenes del pasado en los archivos en línea

IF 0.2 0 ART
Ana Filipa Batalha Martins, O. Fernández, Ignacio Aguaded
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引用次数: 1

Abstract

For some decades, the recognition of the value of actuality films and its discussion as a record of the past was limited to the archival, historical and audiovisual production fields. Arousing interest mainly for their memorial or curious nature, thanks to digitalisation, these films reach new audiences through their dissemination on websites and social networks, of different natures and for various purposes. Taking as our starting point an interest in discussing these new online contexts, we propose a reflection on the forms of presentation and assessment of these images in public and commercial archives. Based on a descriptive sheet and a series of indicators on access to information, interaction, the use of social networks and the contextualisation of contents, we analyse the websites of Gaumont Pathe Archives, British Pathe, Archivo Historico NO-DO and Archivio Luce.  We assume that the extinct newsreels, as a precursor genre of audiovisual infotainment, survive in the light of new readings, strategies and uses, with implications for memory and media literacy.
新闻万岁。在网上档案中传播过去的图像
几十年来,对现实电影价值的认识及其作为过去记录的讨论仅限于档案、历史和视听制作领域。由于数字化,这些电影主要因其纪念性或好奇心而引起人们的兴趣,通过在网站和社交网络上传播,这些电影以不同的性质和不同的目的吸引了新的观众。以我们对讨论这些新的网络环境的兴趣为出发点,我们建议反思公共和商业档案中这些图像的呈现和评估形式。基于一张描述性的表格和一系列关于信息获取、互动、社交网络使用和内容情境化的指标,我们分析了高蒙特-帕特档案馆、英国帕特、Archivo Historico NO-DO和Archivio Luce的网站。我们假设,作为视听信息娱乐的先驱类型,已经灭绝的新闻短片在新的阅读、策略和使用中幸存下来,对记忆和媒体素养有影响。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
35
审稿时长
12 weeks
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