Femvertising and Postfeminist Discourse: Advertising to Break Menstrual Taboos in China

IF 1.4 Q2 COMMUNICATION
J. Guo, Ziwei Zhang, Jinhong Song, Lu Jin, Duan Yu, Sara Liao
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引用次数: 2

Abstract

Abstract This article investigates three commercials for Libresse sanitary napkins that aired in China in the transnational brand’s marketing to counter menstrual taboos. Employing feminist critical discourse analysis (CDA), we interpret Libresse’s efforts in China as exemplary of the appropriation of femvertising, or women’s empowerment advertising. Our findings indicate that Libresse’s commercials attempted to eschew explicit menstrual stereotypes and taboos, emphasizing instead individual desires and autonomy, with an implicit heterosexist message intended to involve men in the agenda. Libresse’s femvertising strategies in China have been influenced by social and cultural factors—primarily, industry self-regulation, menstrual taboos, and the development of feminism. The commercials create a postfeminist discourse that has generated contradictory gender discourses, both liberating and constraining women in an elaborate dance that should be understood in relation to postfeminism, advertising, and global capitalism.
女性化与后女权主义话语:打破中国月经禁忌的广告
摘要本文考察了跨国品牌在中国播出的三则针对经期禁忌的广告。运用女权主义批评话语分析(CDA),我们将Libresse在中国的努力解读为挪用女性广告或女性赋权广告的典范。我们的研究结果表明,Libresse的广告试图避开明确的月经刻板印象和禁忌,而是强调个人的欲望和自主权,含蓄地传达异性恋者的信息,旨在让男性参与到议程中来。自由女神在中国的女性广告策略受到社会文化因素的影响,主要是行业自律、经期禁忌和女权主义的发展。广告创造了一种后女权主义话语,这种话语产生了矛盾的性别话语,在一种复杂的舞蹈中解放和限制了女性,这种舞蹈应该与后女权主义、广告和全球资本主义联系起来理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.80
自引率
0.00%
发文量
21
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