J. Guo, Ziwei Zhang, Jinhong Song, Lu Jin, Duan Yu, Sara Liao
{"title":"Femvertising and Postfeminist Discourse: Advertising to Break Menstrual Taboos in China","authors":"J. Guo, Ziwei Zhang, Jinhong Song, Lu Jin, Duan Yu, Sara Liao","doi":"10.1080/07491409.2022.2053624","DOIUrl":null,"url":null,"abstract":"Abstract This article investigates three commercials for Libresse sanitary napkins that aired in China in the transnational brand’s marketing to counter menstrual taboos. Employing feminist critical discourse analysis (CDA), we interpret Libresse’s efforts in China as exemplary of the appropriation of femvertising, or women’s empowerment advertising. Our findings indicate that Libresse’s commercials attempted to eschew explicit menstrual stereotypes and taboos, emphasizing instead individual desires and autonomy, with an implicit heterosexist message intended to involve men in the agenda. Libresse’s femvertising strategies in China have been influenced by social and cultural factors—primarily, industry self-regulation, menstrual taboos, and the development of feminism. The commercials create a postfeminist discourse that has generated contradictory gender discourses, both liberating and constraining women in an elaborate dance that should be understood in relation to postfeminism, advertising, and global capitalism.","PeriodicalId":46136,"journal":{"name":"Womens Studies in Communication","volume":"45 1","pages":"378 - 398"},"PeriodicalIF":1.4000,"publicationDate":"2022-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Womens Studies in Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07491409.2022.2053624","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 2
Abstract
Abstract This article investigates three commercials for Libresse sanitary napkins that aired in China in the transnational brand’s marketing to counter menstrual taboos. Employing feminist critical discourse analysis (CDA), we interpret Libresse’s efforts in China as exemplary of the appropriation of femvertising, or women’s empowerment advertising. Our findings indicate that Libresse’s commercials attempted to eschew explicit menstrual stereotypes and taboos, emphasizing instead individual desires and autonomy, with an implicit heterosexist message intended to involve men in the agenda. Libresse’s femvertising strategies in China have been influenced by social and cultural factors—primarily, industry self-regulation, menstrual taboos, and the development of feminism. The commercials create a postfeminist discourse that has generated contradictory gender discourses, both liberating and constraining women in an elaborate dance that should be understood in relation to postfeminism, advertising, and global capitalism.